01319nam  2200253 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001400135082001800149100002700167245011300194260005800307300003300365520014400398533031200542504006400854600003700918650004600955856006401001OSOUK95090222StDuBDS20091105124319.0m||||||||d||||||||cr||||||||||||091008s2005    nyua   fs     001 0beng|d  aStDuBDScStDuBDS 4aML422.H4404a781.650922221 aMagee, Jeffrey,d1961-14aThe uncrowned king of swingh[electronic resource] :bFletcher Henderson and big band jazz /cJeffrey Magee.  aNew York ;aOxford :bOxford University Press,c2005.  axi, 322 p. :bill. ;c25 cm.8 aFletcher Henderson (1897-1952) is a major figure in the history of jazz. This volume is the first interpretive study of his music & career.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references, discography and index.10aHenderson, Fletcher,d1897-1952. 0aJazz musicianszUnited StatesvBiography.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195090222.001.000101443nam  2200253 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001000135082001600145100002100161245014400182260004600326300003500372520028800407533031200695504005101007600002101058650004601079856006401125OSOUK95098228StDuBDS20091105124319.0m||||||||d||||||||cr||||||||||||091008s2004    enka   fs     001 0aeng d  aStDuBDScStDuBDS 4aML20004a780.9732221 aPeress, Maurice.10aDvoérâak to Duke Ellingtonh[electronic resource] :ba conductor explores America's music and its African American roots /cMaurice Peress.  aOxford :bOxford University Press,c2004.  aviii, 254 p. :bill. ;c24 cm.8 aProminent symphony conductor Maurice Peress describes his career conducting the premiers of such works as Leonard Bernstein's 'Mass' & Duke Ellington's 'Queenie Pie'. He traces the great impact of African American music on American music, beginning with the work of Antonin Dvoérâak.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index.10aPeress, Maurice. 0aMusiczUnited StatesxAfrican influences.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195098228.001.000101444nam  2200253 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001300135082001700148100002400165245007000189260005800259300004600317520030300363533031200666504005100978600005601029650004101085856006401126OSOUK95100679StDuBDS20091105124319.0m||||||||d||||||||cr||||||||||||091008s2006    nyua   fs     001 0 eng d  aStDuBDScStDuBDS 4aMT145.M704a786.20922221 aKinderman, William.10aMozart's piano musich[electronic resource] /cWilliam Kinderman.  aNew York ;aOxford :bOxford University Press,c2006.  a236 p. :bill., facsims., music ;c24 cm.8 aThis guide looks at every important aspect of Mozart's works for piano, including the sonatas, concertos, duets, two-piano works, and variations. It examines their historical background and their aesthetic content, discusses aspects of performance, and provides detailed analyses of selected works.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index.10aMozart, Wolfgang Amadeus,d1756-1791.tPiano music. 0aPiano musicxAnalysis, appreciation.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195100679.001.000101412nam  2200265 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001100135082001500146100002600161245010900187260005800296300002900354520028900383533031200672500002000984650001601004650003401020650002801054856006401082OSOUK95104547StDuBDS20091105124319.0m||||||||d||||||||cr||||||||||||091008s2002    nyua   fs     001 0 eng d  aStDuBDScStDuBDS 4aML379704a780.722221 aKorsyn, Kevin Ernest.10aDecentering musich[electronic resource] :ba critique of contemporary musical research /cKevin Korsyn.  aNew York ;aOxford :bOxford University Press,c2002.  a256 p. :bill. ;c24 cm.8 aBy linking the institutions that support musical research to complex historical changes such as globalization and the commodification of knowledge, the author critiques musical scolarship as an institutional discourse while contributing to a general theory of disciplinary structures.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes index. 0aMusicology. 0aMusicxHistory and criticism. 0aMusic theoryxResearch.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195104547.001.000101520nam  2200253 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001300135082001900148100002600167245011400193260005800307300003300365520034700398533031200745504005101057600006401108650003001172856006401202OSOUK95116236StDuBDS20091105124319.0m||||||||d||||||||cr||||||||||||091008s1999    nyua   fs     001 0 eng|d  aStDuBDScStDuBDS 4aMT92.S2404a781.2260922221 aKrebs, Harald,d1955-10aFantasy piecesh[electronic resource] :bmetrical dissonance in the music of Robert Schumann /cHarald Krebs.  aNew York ;aOxford :bOxford University Press,c1999.  axiv, 290p. :bill. ;c24 cm.8 aThis volume presents a theory of metrical conflict and applies it to the music of Robert Schumann, thereby placing that composer's distinctive metrical style in focus. Krebs describes categories of metrical conflict that characterize the music of Schumann and studies the interaction of metrical conflict with form, pitch structure, and text.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index.10aSchumann, Robert,d1810-1856xCriticism and interpretation. 0aMusical meter and rhythm.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195116236.001.000101597nam  2200313 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001000135082001600145100001900161245011800180260005800298300003500356520025600391533031200647504005100959610002501010610001601035610004401051650004501095650003101140650003301171650001501204856006401219OSOUK95123678StDuBDS20091105124319.0m||||||||d||||||||cr||||||||||||091008s1999    nyua   fs     001 0 eng|d  aStDuBDScStDuBDS 4aML10604a780.9682221 aErlmann, Veit.10aMusic, modernity, and the global imaginationh[electronic resource] :bSouth Africa and the West /cVeit Erlmann.  aNew York ;aOxford :bOxford University Press,c1999.  aviii, 312 p. :bill. ;c25 cm.8 aHow do Western images of Africa and African representations of the West mirror each other? This study focuses on the tours of two black South African choirs in England and America in the 1890s, and the popularity of Ladysmith Black Mambazo since 1986.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index.20aSouth African Choir.20aZulu Choir.20aLadysmith Black Mambazo (Musical group) 0aMusiczSouth AfricaxWestern influences. 0aMusicxAfrican influences. 0aIntercultural communication. 0aEthnicity.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195123678.001.000101431nam  2200253 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001600135082001900151100002500170245010400195260005800299300005100357520022700408533031200635504005100947600005200998600006301050856006401113OSOUK95124484StDuBDS20091105124319.0m||||||||d||||||||cr||||||||||||091008s2002    nyuac  fs     001 0 eng d  aStDuBDScStDuBDS 4aML410.S932504a781.6550922221 aLeur, Walter van de.10aSomething to live forh[electronic resource] :bthe music of Billy Strayhorn /cWalter van de Leur.  aNew York ;aOxford :bOxford University Press,c2002.  axxiii, 328 p. :bill., music, ports. ;c25 cm.8 aWalter van de Leur traces the origins of Billy Strayhorn's music, with its roots in European and American idioms, and uncovers hitherto unknown works that cast a new light on his development as a composer and orchestrator.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index.10aStrayhorn, BillyxCriticism and interpretation.10aEllington, Duke,d1899-1974xCriticism and interpretation.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195124484.001.000101659nam  2200289 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001100135082002200146245023700168260004700405300003500452520024500487533031200732504005101044650004501095650001901140650005001159700001901209700004801228700002901276856006401305OSOUK95124538StDuBDS20091105124319.0m||||||||d||||||||cr||||||||||||091008s2000    enka   fs     011 0 eng|d  aStDuBDScStDuBDS 4aBX204904a264.02015090222204aThe Divine Office in the Latin Middle Agesh[electronic resource] :bmethodology and source studies, regional developments, hagiography : written in honor of Professor Ruth Steiner /cedited by Margot E. Fassler, Rebecca A. Baltzer.  aOxford :bOxford University Press,cc2000.  axxiv, 632 p. :bill. ;c25 cm.8 aThe Divine Office, or the cycle of daily worship services other than the Mass, constitutes a body of liturgical texts and music for medieval studies. This is a collection of spiritual works that is central to the culture of the Middle Ages.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aChurch musicxCatholic Churchy500-1400. 0aDivine office. 0aDivine office (Music)xHistory and criticism.1 aSteiner, Ruth.1 aBaltzer, Rebecca A.q(Rebecca Anne),d1940-1 aFassler, Margot Elsbeth.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195124538.001.000101536nam  2200265 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001200135082001900147100002900166245007200195260004700267300003300314520033000347533031200677504005100989600003601040650006401076650006601140856006401206OSOUK95130737StDuBDS20091105124319.0m||||||||d||||||||cr||||||||||||091008s2008    enka   fs     001 0deng d  aStDuBDScStDuBDS 4aML297.404a780.9438412221 aGoldberg, Halina,d1961-10aMusic in Chopin's Warsawh[electronic resource] /cHalina GOldberg.  aOxford :bOxford University Press,cc2008.  avi, 330 p. :bill. ;c25 cm.8 aThis title examines the rich musical environment of Chopin's youth - largely unknown to the English-speaking world - and places Chopin's early works in the context of this milieu. Halina Goldberg provides a historiographic perspective that allows a new and better understanding of Poland's cultural and musical circumstances.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index.10aChopin, Frâedâeric,d1810-1849. 0aMusiczPolandzWarsawy19th centuryxHistory and criticism. 0aMusicxSocial aspectszPolandzWarsawxHistoryy19th century.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195130737.001.000101585nam  2200277 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001000135082001800145100001900163245009300182260004600275300002600321520030400347533031200651504005100963600006301014600006401077600006401141650003801205856006401243OSOUK95132960StDuBDS20091105124320.0m||||||||d||||||||cr||||||||||||091008s2002    enk    fs     001 0 eng|d  aStDuBDScStDuBDS 4aML39004a780.922432221 aDaverio, John.10aCrossing pathsh[electronic resource] :bSchubert, Schumann, and Brahms /cJohn Daverio.  aOxford :bOxford University Press,c2002.  axii, 310 p. ;c25 cm.8 aJohn Daverio explores the connections between art and life in the works of Schumann, Brahms and Schubert. He considers topics including Schubert and Schumann's ability to evoke memory in music, the supposed cryptographic practices of Schumann and Brahms, and the allure of the Hungarian Gypsy style.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index.10aSchubert, Franz,d1797-1828xCriticism and interpretation.10aSchumann, Robert,d1810-1856xCriticism and interpretation.10aBrahms, Johannes,d1833-1897xCriticism and interpretation. 0aMusicxPhilosophy and aesthetics.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195132960.001.000101465nam  2200253 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001100135082001900146100003100165245012500196260004600321300003400367520028900401533031200690504005101002650004901053650004501102856006401147OSOUK95134896StDuBDS20091105124320.0m||||||||d||||||||cr||||||||||||091008s2003    enka   fs     001 0 eng|d  aStDuBDScStDuBDS 4aML303304a780.9453112221 aGlixon, Jonathan Emmanuel.10aHonoring God and the cityh[electronic resource] :bmusic at the Venetian confraternities, 1260-1807 /cJonathan Glixon.  aOxford :bOxford University Press,c2003.  axvi, 372 p. :bill. ;c25 cm.8 aThis is a history of musical activities at Venetian lay confraternities. The book traces musical practices from the origins of the earliest confraternities in the mid-13th century through their suppression under the French and Austrian governments of Venice in the early-19th century.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aMusiczItalyzVenicexHistory and criticism. 0aConfraternitieszItalyzVenicexHistory.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195134896.001.000101523nam  2200289 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001100135082001500146100003300161245012000194260004600314300003400360490002500394520030000419533031200719504005101031650002401082650002201106650001501128830002601143856006401169OSOUK95140231StDuBDS20091105124320.0m||||||||d||||||||cr||||||||||||091008s2002    enka   fs     001 0 eng|d  aStDuBDScStDuBDS 4aML383804a781.112221 aZbikowski, Lawrence Michael.10aConceptualizing musich[electronic resource] :bcognitive structure, theory, and analysis /cLawrence M. Zbikowski.  aOxford :bOxford University Press,c2002.  axiv, 360 p. :bill. ;c25 cm.1 aAMS studies in music8 aThis text shows how work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes - categorization, cross-domain mapping, and the use of the conceptual model.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aMusical perception. 0aMusical analysis. 0aCognition. 0aAMS studies in music.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195140231.001.000101406nam  2200253 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050000900135082002400144100002300168245010100191260004600292300003400338520023500372533031200607504005100919650006000970650005801030856006401088OSOUK95141085StDuBDS20091105124320.0m||||||||d||||||||cr||||||||||||091008s2001    enka   fs     001 0 eng|d  aStDuBDScStDuBDS 4aMT6704a070.579409453112221 aBernstein, Jane A.10aPrint culture and music in sixteenth-century Veniceh[electronic resource] /cJane A. Bernstein.  aOxford :bOxford University Press,c2001.  axiv, 233 p. :bill. ;c24 cm.8 aThis volume examines the commerce of music and its connection to the printing and publishing industry in mid-sixteenth century Venice. It presents a broad portrayal of the Venetial music booktrade and explores business strategies.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aMusic publishingzItalyzVenicexHistoryy16th century. 0aMusic printingzItalyzVenicexHistoryy16th century.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195141085.001.000101380nam  2200253 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001000135082001800145100002700163245014800190260004600338300003600384520019900420533031200619504005100931650003700982651004301019856006401062OSOUK95148831StDuBDS20091105124320.0m||||||||d||||||||cr||||||||||||091008s2003    enka   fs     001 0ceng|d  aStDuBDScStDuBDS 4aML39704a786.209222221 aLott, R. Allen,d1956-10aFrom Paris to Peoriah[electronic resource] :bhow European piano virtuosos brought classical music to the American heartland /cR. Allen Lott.  aOxford :bOxford University Press,c2003.  axviii, 366 p. :bill. ;c24 cm.8 a'Grand Tours' chronicles the American visits of five charismatic pianists - Leopold de Meyer, Henri Herz, Sigismund Thalberg, Anton Rubenstein and Hans von Bèulow - during the late 19th century.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aPianistsxTravelzUnited States. 0aUnited StatesxDescription and travel.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195148831.001.000101589nam  2200265 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001300135082001500148100002400163245014700187260005800334300003300392520031000425533031200735504005101047600005601098650005501154650005001209856006401259OSOUK95149746StDuBDS20091105124320.0m||||||||d||||||||cr||||||||||||091008s2006    nyua   fs     001 0 eng|d  aStDuBDScStDuBDS 4aML410.M504a780.922221 aSposato, Jeffrey S.14aThe price of assimilationh[electronic resource] :bFelix Mendelssohn and the nineteenth-century anti-Semitic tradition /cJeffrey S. Sposato.  aNew York ;aOxford :bOxford University Press,c2006.  axi, 228 p. :bill. ;c25 cm.8 aSposato offers a revisionist account of Mendelssohn's relationship to his Jewish roots. He challenges the notion that the composer's identity was strongly informed by a sense of Jewishness & argues that for much of his career Mendelssohn consciously attempted to distance himself from his Jewish heritage.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index.10aMendelssohn-Bartholdy, Felix,d1809-1847xReligion. 0aJewish ChristianszGermanyxHistoryy19th century. 0aAntisemitismzGermanyxHistoryy19th century.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195149746.001.000101464nam  2200277 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114041001300135050001000148082001500158100003600173245013600209260005800345300004700403546003200450520023200482533031200714504005101026650002401077700002101101856006401122OSOUK95151510StDuBDS20091105124320.0m||||||||d||||||||cr||||||||||||091008s2000    nyu    fs     001 0 eng|d  aStDuBDScStDuBDS1 aenghger 4aMT22004a781.432221 aSchenker, Heinrich,d1868-1935.14aThe art of performanceh[electronic resource] /cHeinrich Schenker ; edited by Heribert Esser ; translated by Irene Schreier Scott.  aNew York ;aOxford :bOxford University Press,c2000.  axxvii, 101 p. :bfacsims., music ;c24 cm.  aTranslated from the German.8 aSchenker was one of the most influential music theorists of the 20th century. In this essay, he turns his attention to the performer's role, arguing that the cult of the virtuoso has led to an overemphasis on technical display.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aMusicxPerformance.1 aEsser, Heribert.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195151510.001.000101449nam  2200253 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001100135082001500146100002000161245012700181260005800308300003000366520034000396533031200736504005101048650001601099650001601115856006401131OSOUK95151947StDuBDS20091105124320.0m||||||||d||||||||cr||||||||||||091008s2005    nyu    fs     001 0 eng d  aStDuBDScStDuBDS 4aML379704a780.722221 aClarke, Eric F.10aWays of listeningh[electronic resource] :ban ecological approach to the perception of musical meaning /cEric F. Clarke.  aNew York ;aOxford :bOxford University Press,c2005.  a237 p. :bmusic ;c22 cm.8 aClarke explores music's meaning, its critical function in human lives and the relationship between listening and musical material. His 'ecological approach' suggests that our musical understanding must be considered within the physical & social contexts of listening rather than as a function of our brain structure or a cultural code.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aMusicology. 0aPerception.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195151947.001.000101359nam  2200265 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001100135082001200146100002000158245010300178260004600281300002900327520022500356533031200581504005100893650002700944650003800971650002001009856006401029OSOUK95151961StDuBDS20091105124320.0m||||||||d||||||||cr||||||||||||091008s2003    enka   fs     001 0 eng|d  aStDuBDScStDuBDS 4aML379504a7802221 aScott, Derek B.10aFrom the erotic to the demonich[electronic resource] :bon critical musicology /cDerek B. Scott.  aOxford :bOxford University Press,c2003.  a258 p. :bill. ;c24 cm.8 aThis text should prove useful as a model for musicologists who want to take a postmodern approach to their inquiries. It demonstrates how different musical styles construct ideas of class, sexuality, and ethnic identity.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aMusicxSocial aspects. 0aMusicxPhilosophy and aesthetics. 0aStyle, Musical.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195151961.001.000101458nam  2200253 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001300135082001700148100003700165245007800202260005800280300003400338520032900372533031200701504005101013600005101064650002501115856006401140OSOUK95151978StDuBDS20091105124320.0m||||||||d||||||||cr||||||||||||091008s2006    nyua   fs     001 0 eng d  aStDuBDScStDuBDS 4aML410.M904a782.10922221 aWaldoff, Jessica Pauline,d1964-10aRecognition in Mozart's operash[electronic resource] /cJessica Waldoff.  aNew York ;aOxford :bOxford University Press,c2006.  axii, 337 p. :bill. ;c24 cm.8 a'Recognition in Mozart's Operas' is a thoughful treatise that uses both literary and musicological methods to illuminate some of Mozart's best-loved operas. Waldoff argues that, rather than offering the simple happy endings or tragic climaxes of 'easier' operas, many of Mozart's work features scenes of recognition-moments.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index.10aMozart, Wolfgang Amadeus,d1756-1791.tOperas. 0aOperay18th century.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195151978.001.000101573nam  2200277 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001600135082002900151100003000180245016100210260004600371300003500417490002500452520025900477533031200736504005101048650007501099700003101174830002601205856006401231OSOUK95154160StDuBDS20091105124320.0m||||||||d||||||||cr||||||||||||091008s2006    enka   fs     001 0 eng d  aStDuBDScStDuBDS 4aML1733.8.V404a792.50230945311090322221 aGlixon, Beth Lise,d1952-10aInventing the business of operah[electronic resource] :bthe impresario and his world in seventeenth-century Venice /cBeth L. Glixon, Jonathan E. Glixton.  aOxford :bOxford University Press,c2006.  axxvi, 398 p. :bill. ;c25 cm.1 aAMS studies in music8 aMarco Faustini was among the most active and successful professionals in 17th-century Venetian opera. Through examination of Marco Faustini's documents, Beth and Jonathan Glixon provide a comprehensive view of opera production in mid-17th century Venice.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aOperaxProduction and directionzItalyzVenicexHistoryy17th century.1 aGlixon, Jonathan Emmanuel. 0aAMS studies in music.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195154160.001.000101581nam  2200289 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001400135082001600149100002100165245011100186260004600297300003400343490004500377520026800422533031200690504005101002600006201053600004401115650002201159830004601181856006401227OSOUK95156904StDuBDS20091105124320.0m||||||||d||||||||cr||||||||||||091008s2004    enka   fs     001 0 eng d  aStDuBDScStDuBDS 4aMT130.B3404a784.2732221 aMaurice, Donald.10aBartâok's viola concertoh[electronic resource] :bthe remarkable story of his Swansong /cDonald Maurice.  aOxford :bOxford University Press,c2004.  axii, 222 p. :bill. ;c25 cm.1 aStudies in musical genesis and structure8 aThis text tells the intriguing story of Bela Bartok's viola concerto, a work left unfinished at his death in 1945. Drawing on interviews and documents that reveal previously unavailable information, it discusses the commission, reception and future possibilities.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index.10aBartâok, Bâela,d1881-1945xCriticism and interpretation.10aBartâok, Bâela,d1881-1945.tConcertos. 0aConcertos (Viola) 0aStudies in musical genesis and structure.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195156904.001.000101349nam  2200265 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001300135082001500148245012000163260004600283300003500329520021300364533031200577504005100889650001600940650001600956700002000972700002700992856006401019OSOUK95167498StDuBDS20091105124320.0m||||||||d||||||||cr||||||||||||091008s2004    enka   fs     001 0 eng d  aStDuBDScStDuBDS 4aML3797.104a780.7222200aEmpirical musicologyh[electronic resource] :baims, methods, prospects /cedited by Eric Clarke and Nicholas Cook.  aOxford :bOxford University Press,c2004.  aviii, 229 p. :bill. ;c25 cm.8 aRather than advocating a new kind of musicology, 'Empirical Musicology' aims to provide a practical guide to empirical approaches that are ready for incorporation into the contemporary musicologist's toolkit.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aMusicology. 0aEmpiricism.1 aClarke, Eric F.1 aCook, Nicholas,d1950-40uhttp://dx.doi.org/10.1093/acprof:oso/9780195167498.001.000101580nam  2200265 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001400135082001500149100002700164245012500191260004700316300004000363520031300403533031200716504005101028600006601079650005101145650005401196856006401250OSOUK95170566StDuBDS20091105124320.0m||||||||d||||||||cr||||||||||||091008s2007    enka   fs     001 0 eng d  aStDuBDScStDuBDS 4aML423.S3304a780.922221 aCook, Nicholas,d1950-14aThe Schenker projecth[electronic resource] :bculture, race and music theory in Fin-de-siâecle Vienna /cNicholas Cook.  aOxford :bOxford University Press,cc2007.  axi, 355 p. :bill., music ;c25 cm.8 aCook interprets the music theory of Heinrich Schenker as part of a project encompassing social and political critique. It sets his work into the contexts of Viennese modernism, German cultural conservatism, and Schenker's position as a Jewish immigrant to the city where modern anti-semitism first developed.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index.10aSchenker, Heinrich,d1868-1935xCriticism and interpretation. 0aMusic theoryxSocial aspectszAustriazVienna. 0aMusic theoryxPolitical aspectszAustriazVienna.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195170566.001.000101664nam  2200289 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001100135082002000146245013300166260005900299300003600358500003200394520034200426533031200768504005101080650004201131651005901173700002701232700003201259700001901291856006401310OSOUK95173048StDuBDS20091105124320.0m||||||||d||||||||cr||||||||||||091008s2006    nyua   fs     101 0 eng d  aStDuBDScStDuBDS 4aML291104a201.678097322200aMusic in American religious experienceh[electronic resource] /cedited by Philip V. Bohlman, Edith L. Blumhofer, Maria M. Chow.  aNew York ;aOxford :bOxford University Press,cc2006.  axviii, 350 p. :bill. ;c24 cm.  aSelected conference papers.8 aMusical experience intersects with religious experience, posing challenging questions about the ways in which Americans, historical communities and new immigrants, and racial and ethnic groups, construct their sense of self. This book is the study the ways in which music shapes the distinctive presence of religion in the United States.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aMusicxReligious aspectsvCongresses. 0aUnited StatesxReligious life and customsvCongresses.1 aBohlman, Philip Vilas.1 aBlumhofer, Edith Waldvogel.1 aChow, Maria M.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195173048.001.000101492nam  2200265 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001300135082002000148100004400168245009200212260005800304300002900362520031500391533031200706504005101018600004201069650002001111700003101131856006401162OSOUK95173574StDuBDS20091105124320.0m||||||||d||||||||cr||||||||||||091008s2006    nyua   fs     001 0 eng d  aStDuBDScStDuBDS 4aML410.H404a785.71940922221 aGrave, Floyd K.q(Floyd Kersey),d1945-14aThe string quartets of Joseph Haydnh[electronic resource] /cFloyd and Margaret Grave.  aNew York ;aOxford :bOxford University Press,c2006.  a382 p. :bill. ;c25 cm.8 aAssessing Haydn's quartets, this work explores the circumstances of their creation. It reveals the conventions and novelties that govern their design and examines the wealth of textures, stylistic allusions, and rhetorical strategies that underlie their stature as a cornerstone of the chamber music repertory.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index.10aHaydn, Joseph,d1732-1809.tQuartets. 0aString quartet.1 aGrave, Margaret G.,d1943-40uhttp://dx.doi.org/10.1093/acprof:oso/9780195173574.001.000101357nam  2200241 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001000135082001900145100003000164245011200194260005800306300003300364520025800397533031200655504005100967650003301018856006401051OSOUK95178265StDuBDS20091105124320.0m||||||||d||||||||cr||||||||||||091008s2008    nyua   fs     001 0 eng d  aStDuBDScStDuBDS 4aML70004a786.2143092221 aHamilton, Kenneth,d1963-10aAfter the golden ageh[electronic resource] :bromantic pianism and modern performance /cKenneth Hamilton.  aNew York ;aOxford :bOxford University Press,c2008.  axv, 304 p. :bill. ;c25 cm.8 aHamilton dissects the oft invoked myth of a 'Great Tradition', or Golden Age of pianism. He then goes on to discuss the performance style great pianists, from Liszt to Paderewski, and delves into the far from inevitable development of the piano recital.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aPianoxPerformancexHistory.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195178265.001.000101198nam  2200253 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001100135082001600146100002600162245006200188260005800250300003500308520014100343533031200484504005100796650001400847650001900861856006400880OSOUK95178296StDuBDS20091105124320.0m||||||||d||||||||cr||||||||||||091008s2001    nyua   fs     001 0 eng|d  aStDuBDScStDuBDS 4aML381104a781.2322221 aLerdahl, Fred,d1943-10aTonal pitch spaceh[electronic resource] /cFred Lerdahl.  aNew York ;aOxford :bOxford University Press,c2001.  axvii, 411 p. :bill. ;c24 cm.8 a'Tonal Pitch Space' presents a model of diatonic space that quantifies intuitions of the relative distances of pitches, chords and keys.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aTonality. 0aMusical pitch.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195178296.001.000101478nam  2200277 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001100135082001800146100002700164245012600191260005800317300002900375490002500404520025000429533031200679504005100991650004001042650002801082830002601110856006401136OSOUK95178326StDuBDS20091105124321.0m||||||||d||||||||cr||||||||||||091008s2008    nyua   fs     001 0 eng|d  aStDuBDScStDuBDS 4aML377604a780.899242221 aBohlman, Philip Vilas.10aJewish music and modernityh[electronic resource] :bmusic and cultural contestation in Central Europe /cPhilip Bohlman.  aNew York ;aOxford :bOxford University Press,c2008.  a368 p. :bill. ;c24 cm.1 aAMS studies in music8 aBohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aJewsxMusicxHistory and criticism. 0aJewszGermanyxHistory. 0aAMS studies in music.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195178326.001.000101442nam  2200253 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001500135082001500150100003800165245009400203260004600297300006000343520028300403504005100686533031200737600003501049650004001084856006401124OSOUK95181678StDuBDS20091105124321.0m||||||||d||||||||cr||||||||||||091008s2009    enkacf fs     001 0beng d  aStDuBDScStDuBDS 4aML410.P86504a780.922221 aMorrison, Simon Alexander,d1964-14aThe people's artisth[electronic resource] :bProkofiev's Soviet years /cSimon Morrison.  aOxford :bOxford University Press,c2009.  aix, 491 p., [16] p. of plates :bill., ports. ;c24 cm.8 aThis is a detailed chronicle of Prokofiev's career from 1932 to 1953, based on exclusive and extensive research conducted at several Russian archives. The book examines Prokofiev's decision to relocate to Stalin's Russia in 1936 and the composer's aesthetic and spiritual views.  aIncludes bibliographical references and index.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aProkofiev, Sergey,d1891-1953. 0aComposerszSoviet UnionvBiography.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195181678.001.000101419nam  2200241 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001300135082002200148100002100170245011800191260004600309300003600355520032900391533030900720504005101029650003301080856006401113OSOUK95189544StDuBDS20091105124321.0m||||||||d||||||||cr||||||||||||091014s1999    enka   fs     001|0 eng|d  aStDuBDScStDuBDS 4aML1727.404a782.1094409342221 aHuebner, Steven.10aFrench opera at the fin de siáecleh[electronic resource] :bWagnerism, nationalism, and style /cSteven Huebner.  aOxford :bOxford University Press,c1999.  axviii, 526 p. :bill. ;c24 cm.8 aThe author studies the rich operatic repertory written and performed in France during the last two decades of the nineteenth century, including such operatic favourites as Massenet's 'Manon' and 'Werther', 'Louise' by Charpentier, and lesser-known gems such as Chabrier's 'Le Roi malgrâe lui' and Chausson's 'Le roi Arthus'.  aElectronic reproduction.bOxford:cOxford University Press,d2009f(Oxford Scholarship Online)nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aOperazFrancey19th century.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195189544.001.000101593nam  2200277 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001300135082001500148100002700163245012700190260004600317300004000363490002500403520031500428533031200743504005101055600006401106651005501170830002601225856006401251OSOUK95305470StDuBDS20091105124321.0m||||||||d||||||||cr||||||||||||091008s2007    enka   fs    o001 0deng d  aStDuBDScStDuBDS 4aML410.B804a780.922221 aNotley, Margaret Anne.10aLateness and Brahmsh[electronic resource] :bmusic and culture in the twilight of Viennese liberalism /cMargaret Notley.  aOxford :bOxford University Press,c2007.  avi, 245 p. :bill., music ;c24 cm.1 aAMS studies in music8 aTakes up the problem of how Brahms fits into the culture of turn-of-the-century Vienna. This book examines the stylistic and a historical category of 'lateness' as it relates to the nineteenth century Viennese composer. It also looks at Brahms' place in narratives of lateness in both music and social history.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index.10aBrahms, Johannes,d1833-1897xCriticism and interpretation. 0aVienna (Austria)xIntellectual lifey19th century. 0aAMS studies in music.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195305470.001.000101552nam  2200253 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001100135082002000146100002000166245016100186260005800347300004300405520028500448533031200733504005101045650005901096650007901155856006401234OSOUK95309461StDuBDS20091105124321.0m||||||||d||||||||cr||||||||||||091008s2008    nyuac  fs     001 0 eng d  aStDuBDScStDuBDS 4aML347004a781.64090342221 aScott, Derek B.10aSounds of the metropolish[electronic resource] :bthe nineteenth-century popular music revolution in London, New York, Paris, and Vienna /cDerek B. Scott.  aNew York ;aOxford :bOxford University Press,c2008.  aviii, 304 p. :bill., ports. ;c24 cm.8 aIn 'Sounds of the Metropolis', Derek Scott argues that it was in the 19th century that the first popular music revolution occurred. He illustrates how a distinct group of popular styles first began to challenge the classical tradition and assert their own values and independence.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aPopular musiczEuropeyTo 1901xHistory and criticism. 0aPopular musiczNew York (State)zNew YorkyTo 1901xHistory and criticism.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195309461.001.000101320nam  2200265 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001100135082001600146245011300162260004700275300003300322520015000355533031200505504005100817650005300868650002400921650002200945700002300967856006400990OSOUK95336641StDuBDS20091105124321.0m||||||||d||||||||cr||||||||||||091008s2009    enka   fs     001 0 eng d  aStDuBDScStDuBDS 4aML391604a780.90422200aSound commitmentsh[electronic resource] :bavant-garde music and the sixties /cedited by Robert Adlington.  aOxford :bOxford University Press,cc2009.  axi, 292 p. :bill. ;c24 cm.8 aThis text examines the encounter of avant-garde music and 'the Sixties' across a range of genres, aesthetic positions and geographical locations.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aMusicxPolitical aspectsxHistoryy20th century. 0aAvant-garde (Music) 0aNineteen sixties.1 aAdlington, Robert.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195336641.001.000101707nam  2200301 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001200135082002100147100002000168245010500188260005800293300003400351490003400385520032400419533031200743504005101055600005001106650005701156650006101213650003201274830003501306856006401341OSOUK95336665StDuBDS20091105124321.0m||||||||d||||||||cr||||||||||||091008s2008    nyua   fs     001 0 eng d  aStDuBDScStDuBDS 4aML275.304a780.943090332221 aAgnew, Vanessa.10aEnlightenment Orpheush[electronic resource] :bthe power of music in other worlds /cVanessa Agnew.  aNew York ;aOxford :bOxford University Press,c2008.  axiv, 263 p. :bill. ;c25 cm.1 aNew cultural history of music8 aThe Enlightenment saw a critical engagement with the ancient idea that music carries certain powers - it heals and pacifies, civilizes and educates. Yet this interest in musical utility seems to conflict with larger notions of aesthetic autonomy that emerged at the same time. This text examines this apparent conflict.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index.10aBurney, Charles,d1726-1814xTravelzGermany. 0aMusiczGermanyy18th centuryxHistory and criticism. 0aMusiczGermanyy18th centuryxPhilosophy and aesthetics. 0aMusic and tourismzGermany. 0aNew cultural history of music.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195336665.001.000101452nam  2200253 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001400135082002000149100002500169245012100194260005800315300003900373520026700412533031200679504005100991650004401042650004801086856006401134OSOUK95341935StDuBDS20091105124321.0m||||||||d||||||||cr||||||||||||091008s2009    nyua   fs     001 0 eng|d  aStDuBDScStDuBDS 4aML3917.R804a780.94709042221 aSchmelz, Peter John.10aSuch freedom, if only musicalh[electronic resource] :bunofficial Soviet music during the Thaw /cPeter J. Schmelz.  aNew York ;aOxford :bOxford University Press,c2009.  ax, 392 p. :bill., music ;c25 cm.8 aFollowing Stalin's death in 1953, students at Soviet conservatories were able to use various channels to acquire and hear music that had previously been forbidden. This book traces the changing compositional styles and politically charged reception of the music.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aMusicxPolitical aspectszSoviet Union. 0aMusiczSoviet UnionxHistory and criticism.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195341935.001.000101557nam  2200289 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001000135082001800145100002000163245013600183260005800319300004100377520027300418533031200691504005101003650003301054650002801087650002601115650002801141650003401169856006401203OSOUK95343281StDuBDS20091105124321.0m||||||||d||||||||cr||||||||||||091008s2009    nyua   fs     001 0 eng d  aStDuBDScStDuBDS 4aML94504a788.619092221 aRice, Albert R.10aFrom the clarinet d'amour to the contra bassh[electronic resource] :ba history of large size clarinets, 1740-1860 /cAlbert Rice.  aNew York ;aOxford :bOxford University Press,c2009.  axxi, 463 p. :bill., music ;c25 cm.8 aThis is a study of the history and development of six large size clarinets including the clarinet d'amour, alto clarinet, basset horn, and bass clarinet. The majority of extant instruments are described and discussed, along with extant music of the period (1740-1860).  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aClarinette d'amourxHistory. 0aAlto clarinetxHistory. 0aBasset hornxHistory. 0aBass clarinetxHistory. 0aContrabass clarinetxHistory.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195343281.001.000101636nam  2200277 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001100135082001800146100002500164245021200189260004600401300003400447520027500481533031200756504005101068600005801119600006201177650002401239700003101263856006401294OSOUK95365825StDuBDS20091105124321.0m||||||||d||||||||cr||||||||||||091008s2004    enka   fs     001 0 eng|d  aStDuBDScStDuBDS 4aML170504a782.109222221 aAntokoletz, Elliott.10aMusical symbolism in the operas of Debussy and Bartâokh[electronic resource] :btrauma, gender, and the unfolding of the unconscious /cElliott Antokoletz with the collaboration of Juana Canabal Antokoletz.  aOxford :bOxford University Press,c2004.  axiv, 346 p. :bill. ;c25 cm.8 aThe authors explore the means by which two early 20th-century operas - Debussy's 'Pellâeas et Mâelisande' (1902) and Bartâok's 'Duke Bluebeard's Castle' (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index.10aDebussy, Claude,d1862-1918.tPellâeas et Mâelisande.10aBartâok, Bâela,d1881-1945.tKâekszakâallâu herceg vâara. 0aSymbolism in music.1 aAntokoletz, Juana Canabal.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195365825.001.000101561nam  2200277 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001200135082002100147100002200168245012100190260005800311300003500369520029100404533031200695504005101007650005601058650004101114650003801155650002601193856006401219OSOUK95365856StDuBDS20091105124321.0m||||||||d||||||||cr||||||||||||091008s2008    nyua   fs     001 0 eng|d  aStDuBDScStDuBDS 4aML270.404a780.944090342221 aEllis, Katharine.10aInterpreting the musical pasth[electronic resource] :bearly music in nineteenth-century France /cKatharine Ellis.  aNew York ;aOxford :bOxford University Press,c2008.  axxii, 298 p. :bill. ;c25 cm.8 aThis study of French early music revival gives us a vivid sense of how the cultural meanings of music were contested in the 19th century. It surveys the main patterns of revivalist activity while also providing in-depth studies of repertories stretching from Adam de la Halle to Rameau.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aMusiczFrancey19th centuryxHistory and criticism. 0aMusicxPerformancezFrancexHistory. 0aNational characteristics, French. 0aNationalism in music.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195365856.001.000101564nam  2200289 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050000900135082002100144100002200165245013000187260005900317300003400376520019700410533031200607504005100919650004300970650005301013650005301066650004901119650004201168856006401210OSOUK95367744StDuBDS20091105124321.0m||||||||d||||||||cr||||||||||||091008s2009    nyua   fs     001 0 eng|d  aStDuBDScStDuBDS 4aR73304a615.852095862221 aKoen, Benjamin D.10aBeyond the roof of the worldh[electronic resource] :bmusic, prayer, and healing in the Pamir mountains /cBenjamin D. Koen.  aNew York ;aOxford :bOxford University Press,cc2009.  axii, 225 p. :bill. ;c25 cm.8 aThis work demonstrates the relevance of medical ethnomusicology in light of the globally spreading ICAM (integrative, complementary, and alternative medicine) approaches to health and healing.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aHealingzPamir-Alain Mountains Region. 0aSpiritual healingzPamir-Alain Mountains Region. 0aHolistic medicinezPamir-Alain Mountains Region. 0aMusic therapyzPamir-Alain Mountains Region. 0aPrayerzPamir-Alain Mountains Region.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195367744.001.000102081nam  2200349 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001100135082001900146100002600165245016200191260005900353300004200412490002500454520030300479533031200782504005101094600006401145600006601209600006001275650005601335650007401391650006301465650005801528651005501586830002601641856006401667OSOUK95368666StDuBDS20091105124321.0m||||||||d||||||||cr||||||||||||091008s2008    nyua   fs     001 0 eng d  aStDuBDScStDuBDS 4aML379704a780.7204362221 aKarnes, Kevin,d1972-10aMusic, criticism, and the challenge of historyh[electronic resource] :bshaping modern musical thought in late nineteenth-century Vienna /cKevin C. Karnes.  aNew York ;aOxford :bOxford University Press,cc2008.  axiii, 214 p. :bill., music ;c25 cm.1 aAMS studies in music8 aMore than a century after Guido Adler's appointment to the first chair in musicology at the University of Vienna, this volume provides a view of the discipline in this earliest period, and at the ideological dilemmas and methodological anxieties that characterized it upon its institutionalization.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index.10aHanslick, Eduard,d1825-1904xCriticism and interpretation.10aSchenker, Heinrich,d1868-1935xCriticism and interpretation.10aAdler, Guido,d1855-1941xCriticism and interpretation. 0aMusicologyzAustriazViennaxHistoryy19th century. 0aMusicxInstruction and studyzAustriazViennaxHistoryy19th century. 0aMusical criticismzAustriazViennaxHistoryy19th century. 0aMusic theoryzAustriazViennaxHistoryy19th century. 0aVienna (Austria)xIntellectual lifey19th century. 0aAMS studies in music.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195368666.001.000101622nam  2200301 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001400135082001500149100002100164245011400185260005800299300003500357520033200392533031200724504005101036600004001087600004501127650001601172650002001188650003401208650001401242856006401256OSOUK95372397StDuBDS20091105124321.0m||||||||d||||||||cr||||||||||||091008s2009    nyu    fs     001 0 eng d  aStDuBDScStDuBDS 4aML410.M2304a780.922221 aJohnson, Julian.10aMahler's voicesh[electronic resource] :bexpression and irony in the songs and symphonies /cJulian Johnson.  aNew York ;aOxford :bOxford University Press,c2009.  axiv, 361 p. :bmusic ;c24 cm.8 aJohnson considers how Mahler's body of music foregrounds the idea of artifice, construction and musical convention while also presenting itself as act of authentic expression and disclosure. This study of brings together a close reading of the renowned composer's music with wide-ranging cultural and historical interpretation.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index.10aMahler, Gustav,d1860-1911.tSongs.10aMahler, Gustav,d1860-1911.tSymphonies. 0aExpression. 0aStyle, Musical. 0aSongsxHistory and criticism. 0aSymphony.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195372397.001.000101357nam  2200253 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001000135082002000145100002500165245009600190260004600286300003600332520021200368533031200580504005100892650004800943650004800991856006401039OSOUK98161653StDuBDS20091105124321.0m||||||||d||||||||cr||||||||||||091008s1999    enk    fs     001 0 eng|d  aStDuBDScStDuBDS 4aML45704a781.43090342221 aBrown, Clive,d1947-10aClassical and romantic performing practice 1750-1900h[electronic resource] /cClive Brown.  aOxford :bOxford University Press,c1999.  axiii, 662 p. :bmusic ;c25 cm.8 a'Classical and Romantic Peforming Practice 1750-1900' aims to identify areas in which musical notation conveys a different message to the musicians for whom it was written, than it does to modern performers.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aPerformance practice (Music)y19th century. 0aPerformance practice (Music)y18th century.40uhttp://dx.doi.org/10.1093/acprof:oso/9780198161653.001.000101515nam  2200253 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001300135082001500148100002800163245015200191246003200343260004700375300003400422520030800456533031200764504005101076600007001127856006401197OSOUK98164401StDuBDS20091105124321.0m||||||||d||||||||cr||||||||||||091008s2007    enka   fs     001 0 eng|d  aStDuBDScStDuBDS 4aML418.B104a780.922221 aJones, Richard Douglas.14aThe creative development of Johann Sebastian Bach.nVol. 1,p1695-1717h[electronic resource] :bmusic to delight the spirit /cRichard D.P. Jones.30aMusic to delight the spirit  aOxford :bOxford University Press,cc2007.  axiv, 335 p. :bill. ;c24 cm.8 aJones gives an account of the individual works of J.S. Bach. Divided into two parts, this volume takes account of the remarkable advances in Bach scholarship. Each part deals with four categories of composition: large-scale keyboard works ; preludes, fantasias, and fugues; organ chorales; and cantatas.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index.10aBach, Johann Sebastian,d1685-1750xCriticism and interpretation.40uhttp://dx.doi.org/10.1093/acprof:oso/9780198164401.001.000101472nam  2200289 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001000135082001200145100002200157245017100179260004600350300004000396520017200436533031200608504005100920650002500971650003400996650003901030700003001069700001901099856006401118OSOUK98165040StDuBDS20091105124321.0m||||||||d||||||||cr||||||||||||091008s2004    enka   fs     001 0 eng d  aStDuBDScStDuBDS 4aML45904a7842221 aCampbell, Murray.10aMusical instrumentsh[electronic resource] :bhistory, technology and performance of instruments of Western music /cMurray Campbell, Clive Greated, and Arnold Myers.  aOxford :bOxford University Press,c2004.  aix, 510 p. :bill., music ;c25 cm.8 aThis is a comprehensive survey of how western musical instruments work, how they developed historically, how they are manufactured and how they are used to make music.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aMusical instruments. 0aMusical instrumentsxHistory. 0aMusical instrumentsxConstruction.1 aGreated, Clive A.,d1940-1 aMyers, Arnold.40uhttp://dx.doi.org/10.1093/acprof:oso/9780198165040.001.000101329nam  2200253 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050000800135082001200143100002600155245011400181260004600295300002700341520024300368533031200611504005100923650001800974650001900992856006401011OSOUK98166474StDuBDS20091105124322.0m||||||||d||||||||cr||||||||||||091008s2004    enk    fs     001 0 eng d  aStDuBDScStDuBDS 4aMT604a7812221 aVan der Merwe, Peter.10aRoots of the classicalh[electronic resource] :bthe popular origins of western music /cPeter Van der Merwe.  aOxford :bOxford University Press,c2004.  axvii, 558 p. ;c25 cm.8 aThis book identifies and traces to their sources the patterns that make Western classical music unique, setting out the fundamental laws of melody and harmony, and sketching the development of tonality between the 15th and 18th centuries.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aMusic theory. 0aMusicxOrigin.40uhttp://dx.doi.org/10.1093/acprof:oso/9780198166474.001.000101523nam  2200277 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001000135082001600145100002600161245011500187260004600302300009500348500001200443520024600455533031200701504005101013650004601064650004201110650002901152856006401181OSOUK99214761StDuBDS20091105124322.0m||||||||d||||||||cr||||||||||||091008s2003    enkacf fs     001 0 eng|d  aStDuBDScStDuBDS 4aPN69004a809.1022221 aTreitler, Leo,d1931-10aWith voice and penh[electronic resource] :bcoming to know medieval song and how it was made /cLeo Treitler.  aOxford :bOxford University Press,c2003.  axxx, 506 p., [8] p. of plates :bill., music, ports. ;c24 cm. +e1 computer optical disc.  aCD-ROM.8 aLeo Treitler's 17th classic essays trace the creation and spread of song (cantus), sacred and secular, through oral tradition and writing, in the European Middle Ages. The accompanying CD contains performances of much of the music discussed.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aOral traditionzEuropexHistoryyTo 1500. 0aSongszEuropexHistory and criticism. 0aMusiczEuropey500-1400.40uhttp://dx.doi.org/10.1093/acprof:oso/9780199214761.001.000101078nam  2200241   4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050002400135082001400159100002300173245009900196260004800295300001800343500002200361533031200383600005400695700002300749856006400772OSOUK95304923UtOrBLW20091228144910.0m||||||||d||||||||cr||||||||||||091228s2006    nyu    fsb    001 0deng d  aUtOrBLWcUtOrBLW 4aML134.B33bM45 200604a016.780921 aMelamed, Daniel R.13aAn introduction to Bach studiesh[electronic resource] /cDaniel R. Melamed, Michael Marissen.  aNew York :bOxford University Press,c2006.  a208 p. ;ccm.  aIncludes indexes.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aBach, Johann Sebastian,d1685-1750vBibliography.1 aMarissen, Michael.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195304923.001.000101165nam  2200253   4500001001400000003000800014005001700022006001900039007001500058008004100073010001700114035002300131040004500154050002000199082001500219245009000234260005800324300004000382504005100422533031200473650004100785700002100826856006400847OSOUK95177893UtOrBLW20070515095848.0m||||||||d||||||||cr||||||||||||050607s2006    enkag  fsb    001 0 eng    a  2005016398  a(OCoLC)ocm60603229  aDLCcDLCdBAKERdUKMdC#PdCOOdPULdDLC00aMT90b.A56 200600a780/.922200aAnalytical studies in world musich[electronic resource] /cedited by Michael Tenzer.  aOxford ;aNew York :bOxford University Press,c2006.  axv, 434 p. :bill., music ;c24 cm.  aIncludes bibliographical references and index.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aWorld musicxAnalysis, appreciation.1 aTenzer, Michael.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195177893.001.000101224nam  2200253   4500001001400000003000800014005001700022006001900039007001500058008004100073010001700114040001800131050002400149082001800173100001800191245010500209260004800314300003200362504006400394533031200458600008800770650004800858856006400906OSOUK95120974UtOrBLW20070514170128.0m||||||||d||||||||cr||||||||||||980820s1999    nyua   fsb    001 0deng    a   98027735   aDLCcDLCdDLC00aMT145.B14bL39 199900a787.2/0922211 aLester, Joel.10aBach's works for solo violinh[electronic resource] :bstyle, structure, performance /cJoel Lester.  aNew York :bOxford University Press,c1999.  ax, 186 p. :bill. ;c24 cm.  aIncludes bibliographical references (p. 175-181) and index.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aBach, Johann Sebastian,d1685-1750.tSonaten und Partiten,mviolin,nBWV 1001-1006. 0aPerformance practice (Music)y18th century.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195120974.001.000101146nam  2200241   4500001001400000003000800014005001700022006001900039007001500058008004100073010001700114040001800131050002400149082001400173100002000187245011800207260005800325300002500383504006600408533031200474600005400786856006400840OSOUK95166910UtOrBLW20070515160511.0m||||||||d||||||||cr||||||||||||021212s2004    enk    fsb    001 0deng    a  2002155709  aDLCcDLCdDLC00aML410.W14bS47 200400a782.12211 aScruton, Roger.10aDeath-devoted hearth[electronic resource] :bsex and the sacred in Wagner's Tristan and Isolde /cRoger Scruton.  aOxford ;aNew York :bOxford University Press,c2004.  avi, 238 p. ;c22 cm.  aIncludes bibliographical references (p. [225]-231) and index.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aWagner, Richard,d1813-1883.tTristan und Isolde.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195166910.001.000101072nam  2200229   4500001001400000003000800014005001700022006001900039007001500058008004100073010001700114040001800131050002300149082002100172100002700193245010900220260005800329300003500387533031200422650004400734856006400778OSOUK95174786UtOrBLW20070515092722.0m||||||||d||||||||cr||||||||||||031021s2005    enka   fs     000 0 eng    a  2003023140  aDLCcDLCdDLC00aML3534b.S914 200500a781.62/210242221 aSweers, Britta,d1969-10aElectric folkh[electronic resource] :bthe changing face of English traditional music /cBritta Sweers.  aOxford ;aNew York :bOxford University Press,c2005.  aviii, 333 p. :bill. ;c26 cm.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aFolk rock musicxHistory and criticism.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195174786.001.000101427nam  2200301   4500001001400000003000800014005001700022006001900039007001500058008004100073010001700114040001800131043001200149050002200161082002000183100003800203245010400241260005900345300003300404504006400437533031200501650004400813650004400857650004100901650004400942650007500986856006401061OSOUK95128253UtOrBLW20070323090344.0m||||||||d||||||||cr||||||||||||070125s2007    enkag  fsb    001 0 eng    a  2007003541  aDLCcDLCdDLC  an-us---00aML3508b.M65 200700a781.65/15992221 aMonson, Ingrid T.q(Ingrid Tolia)10aFreedom soundsh[electronic resource] :bcivil rights call out to jazz and Africa /cIngrid Monson.  aOxford ;aNew York :bOxford University Press,cc2007.  a416 p. :bill., music ;ccm.  aIncludes bibliographical references (p. 331-380) and index.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aJazzy1951-1960xHistory and criticism. 0aJazzy1961-1970xHistory and criticism. 0aJazzxSocial aspectszUnited States. 0aJazzxPolitical aspectszUnited States. 0aAfrican-AmericansxCivil rightszUnited StatesxHistoryy20th century.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195128253.001.000101273nam  2200277   4500001001400000003000800014005001700022006001900039007001500058008004100073010001700114035002300131040004900154050002200203082001700225100003000242245009300272260004800365300003500413500006800448504005100516533031200567650003400879650001800913856006400931OSOUK95317138UtOrBLW20071121193535.0m||||||||d||||||||cr||||||||||||060922s2007    nyua   fsb    001 0 eng    a  2006051121  a(OCoLC)ocm71951996  aDLCcDLCdYDXdBAKERdBTCTAdYDXCPdUKMdDLC00aML3809b.L39 200700a781.2/372221 aLewin, David,d1933-2003.10aGeneralized musical intervals and transformationsh[electronic resource] /cDavid Lewin.  aNew York :bOxford University Press,c2007.  axxxi, 258 p. :bill. ;c25 cm.  aOriginally published: New Haven : Yale University Press, c1987.  aIncludes bibliographical references and index.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aMusical intervals and scales. 0aMusic theory.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195317138.001.000101154nam  2200253   4500001001400000003000800014005001700022006001900039007001500058008004100073010001700114040001800131050002300149082001500172100002300187245007300210260005800283300002500341504006400366533031200430600005100742650004300793856006400836OSOUK95169331UtOrBLW20070515133645.0m||||||||d||||||||cr||||||||||||040614s2005    enk    fsb    001 0deng    a  2004013785  aDLCcDLCdDLC00aMT115.B2bM43 200500a782.232221 aMelamed, Daniel R.10aHearing Bach's Passionsh[electronic resource] /cDaniel R. Melamed.  aOxford ;aNew York :bOxford University Press,c2005.  axi, 178 p. ;c22 cm.  aIncludes bibliographical references (p. 163-171) and index.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aBach, Johann Sebastian,d1685-1750.tPassions. 0aPassion musicxAnalysis, appreciation.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195169331.001.000101129nam  2200253   4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050002100135082001100156100002400167245010200191260004800293300002700341504005100368533031200419650003300731650002000764650002700784856006400811OSOUK95169454UtOrBLW20091228144910.0m||||||||d||||||||cr||||||||||||091228s2003    nyug   fsb    001 0 eng d  aUtOrBLWcUtOrBLW 4aML457b.S54 200304a781.431 aSherman, Bernard D.10aInside early musich[electronic resource] :bconversations with performers /cBernard D. Sherman.  aNew York :bOxford University Press,c2003.  a432 p. :bmusic ;ccm.  aIncludes bibliographical references and index.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aPerformance practice (Music) 0aStyle, Musical. 0aMusiciansvInterviews.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195169454.001.000101260nam  2200265   4500001001400000003000800014005001700022006001900039007001500058008004100073010001700114040001800131043001200149050002500161082002500186100002600211245008900237260004800326300003400374504009100408533031200499650007600811650004300887856006400930OSOUK95058499UtOrBLW20070515130129.0m||||||||d||||||||cr||||||||||||991015s2000    nyua   fsbk   001 0 eng    a   99052604   aDLCcDLCdDLC  an-us-ny00aML200.8.N5bO43 200000a780/.9747/1090422211 aOja, Carol J.,d1953-10aMaking music modernh[electronic resource] :bNew York in the 1920s /cCarol J. Oja.  aNew York :bOxford University Press,c2000.  axii, 493 p. :bill. ;c24 cm.  aIncludes bibliographical references (p. 459-467), discography (p. 365-366), and index.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aMusiczNew York (State)zNew Yorky20th centuryxHistory and criticism. 0aComposerszNew York (State)zNew York.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195058499.001.000101139nam  2200253   4500001001400000003000800014005001700022006001900039007001500058008004100073010001700114040001800131050002100149082001600170100002800186245010500214260004800319300002100367504006400388533031200452650002400764650003300788856006400821OSOUK95177435UtOrBLW20070515095803.0m||||||||d||||||||cr||||||||||||050411s2006    nyu    fsb    001 0 eng    a  2005010152  aDLCcDLCdDLC00aML457b.G66 200600a781.4/32221 aGordon, Stewart,d1930-10aMastering the art of performanceh[electronic resource] :ba primer for musicians /cStewart Gordon.  aNew York :bOxford University Press,c2006.  a210 p. ;c24 cm.  aIncludes bibliographical references (p. 205-206) and index.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aMusicxPerformance. 0aPerformance practice (Music)  uhttp://dx.doi.org/10.1093/acprof:oso/9780195177435.001.000101250nam  2200253   4500001001400000003000800014005001700022006001900039007001500058008004100073010001700114040001800131050002400149082001600173100003100189245012900220260004800349300003600397504006400433533031200497600006200809650006100871856006400932OSOUK95169775UtOrBLW20080605111154.0m||||||||d||||||||cr||||||||||||070306s2008    nyua   fsb    001 0deng    a  2007009441  aDLCcDLCdDLC00aML410.T26bZ65 200800a784.0922221 aZohn, Steven David,d1966-10aMusic for a mixed tasteh[electronic resource] :bstyle, genre, and meaning in Telemann's instrumental works /cSteven Zohn.  aNew York :bOxford University Press,c2008.  axxxiv, 686 p. :bill. ;c24 cm.  aIncludes bibliographical references (p. 615-658) and index.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aTelemann, Georg Philipp,d1681-1767.tInstrumental music. 0aInstrumental musicy18th centuryxHistory and criticism.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195169775.001.000101307nam  2200289   4500001001400000003000800014005001700022006001900039007001500058008004100073010001700114035002300131040005400154050002000208082001200228100003000240245009900270260004800369300003400417500006800451504006400519533031200583650002200895650001800917650001800935856006400953OSOUK95317121UtOrBLW20071121195438.0m||||||||d||||||||cr||||||||||||060915s2007    nyua   fsb    001 0 eng    a  2006051539  a(OCoLC)ocm71427526  aDLCcDLCdYDXdBAKERdBTCTAdYDXCPdUKMdIAKdDLC00aMT90b.L45 200700a7812221 aLewin, David,d1933-2003.10aMusical form and transformationh[electronic resource] :bfour analytic essays /cDavid Lewin.  aNew York :bOxford University Press,c2007.  axiv, 168 p. :bill. ;c25 cm.  aOriginally published: New Haven : Yale University Press, c1993.  aIncludes bibliographical references (p. 161-162) and index.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aMusical analysis. 0aMusical form. 0aMusic theory.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195317121.001.000101158nam  2200253   4500001001400000003000800014005001700022006001900039007001500058008004100073010001700114035002400131040003900155050002000194082001100214245011100225260004800336300003300384504005100417533031200468650003400780700002600814856006400840OSOUK95385076UtOrBLW20090316081021.0m||||||||d||||||||cr||||||||||||090224s2009    nyua   fsb    001 0 eng    a  2009535578  a(OCoLC)ocn244416783  aUKMcUKMdBTCTAdBAKERdYDXCPdDLC00aMT1b.P712 200904a780.7100aPraxial music educationh[electronic resource] :breflections and dialogues /cedited by David J. Elliott.  aNew York :bOxford University Press,c2009.  axv, 336 p. :bill. ;c23 cm.  aIncludes bibliographical references and index.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aMusicxInstruction and study.1 aElliott, David James.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195385076.001.000101062nam  2200241   4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114043001200135050002400147082001100171100001900182245010200201260004800303300002600351533031200377600003400689650003300723856006400756OSOUK95383584UtOrBLW20091228144910.0m||||||||d||||||||cr||||||||||||091228s2008    nyua   fs     000 0beng d  aUtOrBLWcUtOrBLW  ae-sp--- 4aML410.F35bH47 200804a780.921 aHess, Carol A.10aSacred passionsh[electronic resource] :bthe life and music of Manuel de Falla /cCarol A. Hess.  aNew York :bOxford University Press,c2008.  a368 p. :bill. ;ccm.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aFalla, Manuel de,d1876-1946. 0aComposerszSpainvBiography.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195383584.001.000101435nam  2200313   4500001001400000003000800014005001700022006001900039007001500058008004100073010001700114035002300131040004000154050002300194082002100217100003300238245011900271260005800390300006100448504006400509504004800573533031200621600003300933650002600966700002200992700001701014700002601031856006401057OSOUK95305371UtOrBLW20070606172650.0m||||||||d||||||||cr||||||||||||050713s2006    enkafg fsb    001 0aeng    a  2005019957  a(OCoLC)ocm61123041  aDLCcDLCdBAKERdUKMdC#PdCOOdDLC00aML410.G75bA3 200600a786.2/092aB2221 aGrainger, Percy,d1882-1961.10aSelf-portrait of Percy Graingerh[electronic resource] /cedited by Malcolm Gillies, David Pear, and Mark Carroll.  aOxford ;aNew York :bOxford University Press,c2006.  axxxi, 284 p., [14] p. of plates :bill., music ;c25 cm.  aIncludes bibliographical references (p. 265-268) and index.  a"Select Grainger bibliography": p. 269-270.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aGrainger, Percy,d1882-1961. 0aComposersvBiography.1 aGillies, Malcolm.1 aPear, David.1 aCarroll, Mark,d1955-  uhttp://dx.doi.org/10.1093/acprof:oso/9780195305371.001.000101228nam  2200277   4500001001400000003000800014005001700022006001900039007001500058008004100073010001700114040001800131043001200149050002600161082001800187100002700205245010400232260004800336300002900384504005400413533031200467600002300779650004100802650004300843856006400886OSOUK95108910UtOrBLW20081023112156.0m||||||||d||||||||cr||||||||||||070515s2008    nyua   fsb    000 0beng    a  2007020402  aDLCcDLCdDLC  an-us---00aML410.C7545bC37 200800a780.92aB2221 aCarter, Marva Griffin.10aSwing alongh[electronic resource] :bthe musical life of Will Marion Cook /cMarva Griffin Carter.  aNew York :bOxford University Press,c2008.  a184 p. :bill. ;c24 cm.  aIncludes bibliographical references (p. 169-176).  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aCook, Will Marion. 0aComposerszUnited StatesvBiography. 0aAfrican American composersvBiography.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195108910.001.000101175nam  2200253   4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114043001200135050002400147082001600171100002100187245013000208260004800338300002600386504006500412533031200477610002400789650004400813856006400857OSOUK95372182UtOrBLW20091228144910.0m||||||||d||||||||cr||||||||||||091228s2008    nyua   fsbk   001 0ceng d  aUtOrBLWcUtOrBLW  an-us--- 4aML421.S59bV47 200804a788.70922731 aVermazen, Bruce.10aThat moaning saxophoneh[electronic resource] :bthe Six Brown Brothers and the dawning of a musical craze /cBruce Vermazen.  aNew York :bOxford University Press,c2008.  a320 p. :bill. ;ccm.  aIncludes discography, bibliographical references, and index.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.20aSix Brown Brothers. 0aSaxophonistszUnited StatesvBiography.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195372182.001.000101084nam  2200241   4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050002100135082001800156100002000174245008300194260004800277300002600325504004100351533031200392650003700704650003700741856006400778OSOUK95342994UtOrBLW20091228144910.0m||||||||d||||||||cr||||||||||||091228s2007    nyua   fsb    000 0 eng d  aUtOrBLWcUtOrBLW 4aML945b.R53 200704a788.6219090331 aRice, Albert R.14aThe clarinet in the classical periodh[electronic resource] /cAlbert R. Rice.  aNew York :bOxford University Press,c2007.  a336 p. :bill. ;ccm.  aIncludes bibliographical references.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aClarinetxHistoryy18th century. 0aClarinetxHistoryy19th century.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195342994.001.000100965nam  2200217   4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050002100135082001300156100002600169245010000195260004800295300001800343533031200361650001000673856006400683OSOUK95337259UtOrBLW20091228144910.0m||||||||d||||||||cr||||||||||||091228s2007    nyu    fs     000 0 eng d  aUtOrBLWcUtOrBLW 4aML940b.H39 200704a788.52091 aHaynes, Bruce,d1942-14aThe eloquent oboeh[electronic resource] :ba history of the hautboy 1640-1760 /cBruce Haynes.  aNew York :bOxford University Press,c2007.  a544 p. ;ccm.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aOboe.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195337259.001.000101261nam  2200253   4500001001400000003000800014005001700022006001900039007001500058008004100073010001700114040001800131050002100149082001800170100002600188245013700214260005800351300003400409504006400443533031200507650004300819650008100862856006400943OSOUK95189872UtOrBLW20071119122724.0m||||||||d||||||||cr||||||||||||060717s2007    enka   fsb    001 0 eng    a  2006023594  aDLCcDLCdDLC00aML457b.H38 200700a781.4/3092221 aHaynes, Bruce,d1942-14aThe end of early musich[electronic resource] :ba period performer's history of music for the twenty-first century /cBruce Haynes.  aOxford ;aNew York :bOxford University Press,c2007.  axix, 284 p. :bill. ;c24 cm.  aIncludes bibliographical references (p. 251-266) and index.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aPerformance practice (Music)xHistory. 0aMusicxInterpretation (Phrasing, dynamics, etc.)xPhilosophy and aesthetics.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195189872.001.000101105nam  2200241   4500001001400000003000800014005001700022006001900039007001500058008004100073010001700114040001800131050002600149082002000175100002200195245007400217260004800291300003300339504006500372533031200437600005000749856006400799OSOUK95307993UtOrBLW20080923141530.0m||||||||d||||||||cr||||||||||||071019s2008    nyua   fsb    001 0deng    a  2007043693  aDLCcDLCdDLC00aML410.M6823bW55 200800a782.42164092221 aWhitesell, Lloyd.14aThe music of Joni Mitchellh[electronic resource] /cLloyd Whitesell.  aNew York :bOxford University Press,c2008.  axi, 276 p. :bill. ;c24 cm.  aIncludes bibliographical references (p.[257]-266) and index.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aMitchell, JonixCriticism and interpretation.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195307993.001.000101319nam  2200265   4500001001400000003000800014005001700022006001900039007001500058008004100073010001700114035003900131040006400170050002000234082001400254100003700268245012900305260005800434300004200492504006400534533031200598650003300910650004600943856006400989OSOUK95308983UtOrBLW20090401113648.0m||||||||d||||||||cr||||||||||||080730s2008    enkag  fsb    001 0 eng    a  2008033906  a(OCoLC)191929763z(OCoLC)222542914  aDLCcDLCdBTCTAdBAKERdYDXCPdUKMdC#PdBWXdCDXdIXAdDLC00aML83b.M37 200800a398.82221 aMarsh, Kathrynq(Kathryn McLeod)14aThe musical playgroundh[electronic resource] :bglobal tradition and change in children's songs and games /cKathryn Marsh.  aOxford ;aNew York :bOxford University Press,c2008.  aviii, 431 p. :bill., music ;c24 cm.  aIncludes bibliographical references (p. 387-400) and index.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aMusical ability in children. 0aGames with musicxAnalysis, appreciation.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195308983.001.000101194nam  2200253   4500001001400000003000800014005001700022006001900039007001500058008004100073010001700114040001800131050002200149082001400171100001900185245012000204260005800324300003500382504006400417533031200481650005600793700002700849856006400876OSOUK95099362UtOrBLW20090105122128.0m||||||||d||||||||cr||||||||||||071012s2008    enka   fsb    001 0 eng    a  2007042353  aDLCcDLCdDLC00aML1706b.S26 200800a792.62221 aSalzman, Eric.14aThe new music theaterh[electronic resource] :bseeing the voice, hearing the body /cEric Salzman and Thomas Desi.  aOxford ;aNew York :bOxford University Press,c2008.  aviii, 408 p. :bill. ;c24 cm.  aIncludes bibliographical references (p. 377-381) and index.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aMusic theatery20th centuryxHistory and criticism.1 aDâezsy, Thomas,d1967-  uhttp://dx.doi.org/10.1093/acprof:oso/9780195099362.001.000101172nam  2200253   4500001001400000003000800014005001700022006001900039007001500058008004100073010001700114040001800131050002300149082001700172100001900189245008200208260004800290300002500338504009100363533031200454600004800766650004000814856006400854OSOUK95311075UtOrBLW20071119215909.0m||||||||d||||||||cr||||||||||||060921s2007    nyu    fsbk   001 0deng    a  2006031572  aDLCcDLCdDLC00aML410.B8bO95 200700a786.50922221 aOwen, Barbara.14aThe organ music of Johannes Brahmsh[electronic resource] /cby Barbara Owen.  aNew York :bOxford University Press,c2007.  aix, 184 p. ;c25 cm.  aIncludes bibliographical references (p. 167-175), discography (p. 177-178), and index.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aBrahms, Johannes,d1833-1897.tOrgan music. 0aOrgan musicxHistory and criticism.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195311075.001.000101368nam  2200277   4500001001400000003000800014005001700022006001900039007001500058008004100073010001700114035002300131040005200154050002400206082001800230100002200248245011000270260005800380300004200438504006400480533031200544600005400856650005700910650005900967856006401026OSOUK95171099UtOrBLW20070515095814.0m||||||||d||||||||cr||||||||||||050419s2006    enkag  fsb    001 0deng    a  2005011111  a(OCoLC)ocm59879483  aDLCcDLCdOCLCQdBAKERdUKMdC#PdCOOdPULdDLC00aML410.B1bS856 200600a786.5/0922221 aStinson, Russell.14aThe reception of Bach's organ works from Mendelssohn to Brahmsh[electronic resource] /cRussell Stinson.  aOxford ;aNew York :bOxford University Press,c2006.  aviii, 232 p. :bill., music ;c25 cm.  aIncludes bibliographical references (p. 207-219) and index.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.10aBach, Johann Sebastian,d1685-1750.tOrgan music. 0aPerformance practice (Music)xHistoryy19th century. 0aOrgan musicxInterpretation (Phrasing, dynamics, etc.)  uhttp://dx.doi.org/10.1093/acprof:oso/9780195171099.001.000101079nam  2200229   4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050002200135082001400157100001800171245013300189260004800322300002600370533031200396650003500708650004200743856006400785OSOUK95365849UtOrBLW20091228144910.0m||||||||d||||||||cr||||||||||||091228s2008    nyua   fs     000 0 eng d  aUtOrBLWcUtOrBLW 4aML3168b.H47 200804a264.041021 aHerl, Joseph.10aWorship wars in early Lutheranismh[electronic resource] :bchoir, congregation, and three centuries of conflict /cJoseph Herl.  aNew York :bOxford University Press,c2008.  a368 p. :bill. ;ccm.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions. 0aChurch musicxLutheran Church. 0aHymns, GermanxHistory and criticism.  uhttp://dx.doi.org/10.1093/acprof:oso/9780195365849.001.000101616nam  2200289 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050002500135082001700160100002500177245006200202260005800264300002900322490006200351520031600413533031200729504005101041600003201092650004201124776003301166830006301199856006401262OSOUK95325287StDuBDS20100121145746.0m||||||||d||||||||cr||||||||||||081020s2009    nyua   fs     001 0deng d  aStDuBDScStDuBDS 0aML410.R499bC37 200904a784.18942221 aCarl, Robert,d1954-10aTerry Riley's In Ch[electronic resource] /cRobert Carl.  aNew York ;aOxford :bOxford University Press,c2009.  a192 p. :bill. ;c24 cm.1 aStudies in musical genesis, structure, and interpretation8 a'Terry Riley's 'In C'' argues that the work holds its place in the canon because of the very challenges it presents to 'classical' music. Carl examines 'In C' in the context of its era, its grounding in aesthetic practices and assumptions, its process of composition, presentation, recording, and dissemination.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index.10aRiley, Terry,d1935-tIn C. 0aMinimal musicxHistory and criticism.08iPrint versionz9780195325287 0aStudies in musical genesis, structure, and interpretation.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195325287.001.000101471nam  2200253 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001000135082001600145245013500161260005800296300002900354520030500383533031200688504005101000650005001051700001901101776003301120856006401153OSOUK95331370StDuBDS20100121145746.0m||||||||d||||||||cr||||||||||||090701s2009    nyua   fs     001 0 eng d  aStDuBDScStDuBDS 4aML33004a780.95422200aTheorizing the localh[electronic resource] :bmusic, practice, and experience in South Asia and beyond /cedited by Richard Wolf.  aNew York ;aOxford :bOxford University Press,c2009.  a336 p. :bill. ;c24 cm.8 a'Theorizing the Local' rethinks South Asian music in light of diverse regional practices. Using comparative microstudies to cross the traditional borders of scholarship on Nepal, India, Sri Lanka, Pakistan, and Iran, the book provides new footing for South Asia in the study of today's musical world.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aMusiczSoutheast AsiaxHistory and criticism.1 aWolf, Richard.08iPrint versionz978019533137040uhttp://dx.doi.org/10.1093/acprof:oso/9780195331370.001.000101618nam  2200301 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001500135082002100150100002300171245011200194260005800306300003300364490002600397520029500423533031200718504005101030650004001081650005001121650002101171776003301192830002701225856006401252OSOUK95343069StDuBDS20100121145746.0m||||||||d||||||||cr||||||||||||080905s2009    nyua   fs     001 0 eng|d  aStDuBDScStDuBDS 4aML3560.C2504a781.624107632221 aBrasseaux, Ryan A.10aCajun breakdownh[electronic resource] :bthe emergence of an American-made music /cRyan Andrâe Brasseaux.  aNew York ;aOxford :bOxford University Press,c2009.  axv, 317 p. :bill. ;c24 cm.1 aAmerican musicspheres8 a'Cajun Breakdown' examines the social and cultural roots of Cajun music's development through 1950. The idiom's synthetic nature suggests an extensive and intensive dialogue with popular culture that extinguishes the myth that Cajuns were an insular folk group astray in the American South.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aCajun musicxHistory and criticism. 0aPopular musicxSocial aspectszUnited States. 0aCajunsxHistory.08iPrint versionz9780195343069 0aAmerican musicspheres.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195343069.001.000101714nam  2200301 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050002700135082002200162100002200184245011900206260005800325300002900383490004900412520033700461533031200798504005101110650003001161650003501191610003901226776003301265830005001298856006401348OSOUK95343274StDuBDS20100121145746.0m||||||||d||||||||cr||||||||||||080422s2009    nyua   fs     001 0 eng d  aStDuBDScStDuBDS 0aML3011.7.C15bR87 200904a781.7120097942221 aRussell, Craig H.10aFrom Serra to Sanchoh[electronic resource] :bmusic and pageantry in the California missions /cCraig H. Russell.  aNew York ;aOxford :bOxford University Press,c2009.  a544 p. :bill. ;c24 cm.1 aCurrents in Iberian and Latin American music8 aMusic in the California missions was a combination of voices and instruments, liturgy and spectacle, styles and functions in a blend that was non-existent before the Franciscan friars' arrival in 1769. Russell explores aesthetic, stylistic, historical, cultural, theoretical, liturgical, and biographical aspects of this repertoire.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aChurch musiczCalifornia. 0aChurch musicxCatholic Church.20aFranciscansxMissionszCalifornia.08iPrint versionz9780195343274 0aCurrents in Iberian and Latin American music.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195343274.001.000101556nam  2200277 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050002400135082001700159100002800176245009200204260005900296300002900355520032400384533031200708504005101020600004301071650003301114650003401147776003301181856006401214OSOUK95372403StDuBDS20100121145746.0m||||||||d||||||||cr||||||||||||081217s2009    nyua   fs     001 0beng d  aStDuBDScStDuBDS 0aML410.V79bL57 200904a787.20922221 aLister, Warwick,d1940-10aAmicoh[electronic resource] :bthe life of Giovanni Battista Viotti /cWarwick Lister.  aNew York ;aOxford :bOxford University Press,cc2009.  a544 p. :bill. ;c24 cm.8 aGiovanni Battista Viotti was unquestionably the most influential violinist of his time, and his style continues to pervade to the present day. The last great representative of the Italian tradition that Corelli began, Viotti is often considered the founder of the modern or 19th century French school of violin playing.  aElectronic reproduction.bOxford :cOxford University Press,d2009.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index.10aViotti, Giovanni Battista,d1755-1824. 0aComposerszItalyvBiography. 0aViolinistszItalyvBiography.08iPrint versionz978019537240340uhttp://dx.doi.org/10.1093/acprof:oso/9780195372403.001.000101767nam  2200325 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001100135082002200146100002500168245010300193260005800296300003300354490003400387500004200421520028300463533031200746504005101058650005601109650005601165650004401221650004401265776003301309830003501342856006401377OSOUK95337051StDuBDS20100218131103.0m||||||||d||||||||cr||||||||||||100211s2010    nyua   fs     001 0 eng d  aStDuBDScStDuBDS 4aML282704a782.4216809442221 aBergeron, Katherine.10aVoice lessonsh[electronic resource] :bFrench mâelodie in the Belle Epoque /cKatherine Bergeron.  aNew York ;aOxford :bOxford University Press,c2010.  axx, 400 p. :bill. ;c24 cm.1 aNew cultural history of music  aIncludes access to companion website.8 aThe sounds of the French language, the history of French education, the cultural politics of the Third Republic, and the performance of French verse come surprisingly together in Katherine Bergeron's book which is a study of the modern vocal art known as la mâelodie franðcaise.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aSongszFrancey19th centuryxHistory and criticism. 0aSongszFrancey20th centuryxHistory and criticism. 0aSingingzFrancexHistoryy19th century. 0aSingingzFrancexHistoryy20th century.08iPrint versionz9780195337051 0aNew cultural history of music.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195337051.001.000101658nam  2200289 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001400135082001800149100003000167245012000197246001900317260005900336300003400395520033400429533031200763504005101075600004701126650005801173650004001231776003301271856006401304OSOUK95338867StDuBDS20100218131103.0m||||||||d||||||||cr||||||||||||100211s2010    nyua   fs     001 0 eng d  aStDuBDScStDuBDS 4aML410.C5404a786.218962221 aBellman, Jonathan,d1957-10aChopin's Polish balladeh[electronic resource] :bOp. 38 as narrative of national martyrdom /cJonathan D. Bellman.30aPolish ballade  aNew York ;aOxford :bOxford University Press,cc2010.  axvi, 197 p. :bill. ;c24 cm.8 aThe author examines the Second Ballade, Op. 38, and how that work gave voice to the Polish cultural preoccupations of the 1830s, using musical conventions from French opera and amateur piano music. This approach provides answers to several persistent questions about the work's form, programmatic content, and poetic inspiration.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index.10aChopin, Frâedâeric,d1810-1849.tBallades. 0aBallades (Instrumental music)xHistory and criticism. 0aPiano musicxHistory and criticism.08iPrint versionz978019533886740uhttp://dx.doi.org/10.1093/acprof:oso/9780195338867.001.000101539nam  2200277 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001100135082002000146100003800166245009400204260005900298300003400357490002300391520030300414533031200717504005101029650006001080776003301140830002401173856006401197OSOUK95340242StDuBDS20100218131103.0m||||||||d||||||||cr||||||||||||100211s2010    nyua   fs     001 0 eng d  aStDuBDScStDuBDS 4aML208004a781.54609732221 aRodman, Ronald W.q(Ronald Wayne)10aTuning inh[electronic resource] :bAmerican narrative television music /cRon W. Rodman.  aNew York ;aOxford :bOxford University Press,cc2010.  axii, 356 p. :bill. ;c24 cm.1 aOxford music/media8 aThis work looks at and listens to the first 50 years of American narrative television music as a unique art form. Drawing on music in a wide variety of television genres, author Ronald Rodman develops a new theory of television music to explain how it conveys meaning to American viewing audiences.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aTelevision musiczUnited StatesxHistory and criticism.08iPrint versionz9780195340242 0aOxford music/media.40uhttp://dx.doi.org/10.1093/acprof:oso/9780195340242.001.000101511nam  2200265 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001700135082001600152100002200168245009900190250001200289260005800301300004300359520031300402533031200715504006401027650005701091776003301148856006401181OSOUK95377347StDuBDS20100218131105.0m||||||||d||||||||cr||||||||||||100211s2010    nyuac  fs     001 0 eng d  aStDuBDScStDuBDS 4aPN1995.9.M8604a791.4362221 aBarrios, Richard.12aA song in the darkh[electronic resource] :bthe birth of the musical film /cRichard Barrios.  a2nd ed.  aNew York ;aOxford :bOxford University Press,c2010.  aviii, 496 p. :bill., ports. ;c24 cm.8 aDrawing on meticulous research, sharp wit, and insightful analysis, Richard Barrios illuminates the origins of the movie musical. From Warner Bros. and Jolson, to the Oscar-winning 'Broadway Melody' and beyond, here is the whole funny and peculiar history of these films, their creators, and their audiences.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references, discography and index. 0aMusical filmszUnited StatesxHistory and criticism.08iPrint versionz978019537734740uhttp://dx.doi.org/10.1093/acprof:oso/9780195377347.001.000101498nam  2200265 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050000800135082001500143100002800158245011600186260005800302300003300360520031600393533031200709504005101021650003401072650002901106776003301135856006401168OSOUK95379754StDuBDS20100218131105.0m||||||||d||||||||cr||||||||||||100211s2009    nyua   fs     001 0 eng d  aStDuBDScStDuBDS 4aMT104a780.712221 aSchippers, Huib,d1959-10aFacing the musich[electronic resource] :bshaping music education from a global perspective /cHuib Schippers.  aNew York ;aOxford :bOxford University Press,c2009.  axx, 220 p. :bill. ;c24 cm.8 a'Facing the Music' provides a rich resource for reflection and practice for all those involved in teaching and learning music in culturally diverse environments, from policy makers to classroom teachers. Schippers gradually unfolds the complexities and potential of learning and teaching music 'out of context'.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aMusicxInstruction and study. 0aMulticultural education.08iPrint versionz978019537975440uhttp://dx.doi.org/10.1093/acprof:oso/9780195379754.001.000101741nam  2200337 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001300135082001700148245013300165260005900298300003200357520030100389533031200690504005101002650001801053650002701071650003701098650001701135650003001152650003301182650003601215700002901251700002601280776003301306856006401339OSOUK95386691StDuBDS20100218131106.0m||||||||d||||||||cr||||||||||||100211s2009    nyua   fs     001 0 eng|d  aStDuBDScStDuBDS 4aGV1588.604a792.808122200aWhen men danceh[electronic resource] :bchoreographing masculinities across borders /cedited by Jennifer Fisher, Anthony Shay.  aNew York ;aOxford :bOxford University Press,cc2009.  ax, 422 p. :bill. ;c24 cm.8 a'When Men Dance' explores the intersection of dance and perceptions of male gender and sexuality across history and different cultural contexts. Its scholarly essays tackle the history and dilemmas that revolve around dance and notions of masculinity from a variety of dance studies perspectives.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aMale dancers. 0aMale dancersxHistory. 0aMale dancersxSocial conditions. 0aMasculinity. 0aGender identity in dance. 0aDancexSociological aspects. 0aDancexAnthropological aspects.1 aFisher, Jennifer,d1949-1 aShay, Anthony,d1936-08iPrint versionz978019538669140uhttp://dx.doi.org/10.1093/acprof:oso/9780195386691.001.000101438nam  2200253 a 4500001001400000003000800014005001700022006001900039007001500058008004100073040002100114050001100135082001500146100002700161245009400188260005800282300003400340520030900374533031200683504005100995650004101046776003301087856006401120OSOUK95390827StDuBDS20100218131106.0m||||||||d||||||||cr||||||||||||100211s2009    nyua   fs     001 0 eng d  aStDuBDScStDuBDS 4aGV179404a792.782221 aHill, Constance Valis.10aTap dancing Americah[electronic resource] :ba cultural history /cConstance Valis Hill.  aNew York ;aOxford :bOxford University Press,c2009.  axvi, 441 p. :bill. ;c24 cm.8 aIn 'Tap Dancing America', accomplished dance historian Constance Valis Hill offers the first comprehensive history of this uniquely American dance form. Her narrative, filled with poignant anecdotes of tap challenges, tackles race and gender head-on in telling the story of this beloved popular art form.  aElectronic reproduction.bOxford :cOxford University Press,d2010.f(Oxford Scholarship Online).nMode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).nAvailable as searchable text in HTML format.nAccess restricted to subscribing institutions.  aIncludes bibliographical references and index. 0aTap dancingzUnited StatesxHistory.08iPrint versionz978019539082740uhttp://dx.doi.org/10.1093/acprof:oso/9780195390827.001.0001