Abstract: The book describes and analyses the condition of autobiographical writing in Britain during the Romantic period. As well as chapter-length studies of major autobiographical works by Coleridge, Byron, and Lamb, it provides a wide-ranging account of the rapidly expanding field of published self-writing during the period. The book also demonstrates that the category of ‘autobiography’ emerged in the literary public sphere during these years, and that instances of autobiographical writing need to be read in relation to the conditions under which they were circulated and read. Part I deals with the emergence of a sense of genre: the idea of autobiography, as it made its way into the literary environment. Part II examines how the anxieties and restrictions attendant upon the idea of self-writing are reflected in published texts, which present themselves as autobiographies. Part III focuses on readings of autobiographical works, exploring some examples of their representations of the situation of self-writing, and considering what sort of readings are involved when we interpret a given text as an autobiography. Overall, the book emphasizes the uncertain and contested transactions between Romantic autobiographical writing and the literary public sphere.

Keywords: autobiography, self-writing, Romanticism, genre, literary public sphere, Coleridge, Byron, Lamb