Saree Makdisi, Felicity Nussbaum (eds)
- Published in print:
- 2008
- Published Online:
- January 2009
- ISBN:
- 9780199554157
- eISBN:
- 9780191720437
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199554157.001.0001
- Subject:
- Literature, 19th-century and Victorian Literature, 18th-century Literature
Alf layla wa layla (known in English as A Thousand and One Nights or The Arabian Nights) changed the world on a scale unrivalled by any other literary text. Inspired by a ...
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Alf layla wa layla (known in English as A Thousand and One Nights or The Arabian Nights) changed the world on a scale unrivalled by any other literary text. Inspired by a 14th-century Syrian manuscript, the appearance of Antoine Galland's twelve-volume Mille et Une Nuits in English translation (1704-1717), closely followed by the Grub Street English edition, drew the text into European circulation. Over the following three hundred years, a widely heterogeneous series of editions, compilations, translations, and variations circled the globe to reveal the absorption of The Arabian Nights into English, continental, and global literatures, and its transformative return to modern Arabic literature, where it now enjoys a degree of prominence that it had never attained during the classical period. Beginning with a thorough introduction situating The Arabian Nights in its historical and cultural contexts—and offering a fresh examination of the text's multiple locations in the long history of modern Orientalism—this collection of chapters by noted scholars from “East,” “West,” and in-between reassesses the influence of the Nights in Enlightenment and Romantic literature, as well as the text's vigorous afterlife in the contemporary Arabic novel.
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Alf layla wa layla (known in English as A Thousand and One Nights or The Arabian Nights) changed the world on a scale unrivalled by any other literary text. Inspired by a 14th-century Syrian manuscript, the appearance of Antoine Galland's twelve-volume Mille et Une Nuits in English translation (1704-1717), closely followed by the Grub Street English edition, drew the text into European circulation. Over the following three hundred years, a widely heterogeneous series of editions, compilations, translations, and variations circled the globe to reveal the absorption of The Arabian Nights into English, continental, and global literatures, and its transformative return to modern Arabic literature, where it now enjoys a degree of prominence that it had never attained during the classical period. Beginning with a thorough introduction situating The Arabian Nights in its historical and cultural contexts—and offering a fresh examination of the text's multiple locations in the long history of modern Orientalism—this collection of chapters by noted scholars from “East,” “West,” and in-between reassesses the influence of the Nights in Enlightenment and Romantic literature, as well as the text's vigorous afterlife in the contemporary Arabic novel.
Fiona Robertson
- Published in print:
- 1994
- Published Online:
- October 2011
- ISBN:
- 9780198112242
- eISBN:
- 9780191670725
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198112242.001.0001
- Subject:
- Literature, 18th-century Literature, 19th-century and Victorian Literature
This book is an innovative reading of Walter Scott's Waverley Novels in the context of 18th- and 19th-century Gothic. Most critics have treated these two forms of historical narrative as ...
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This book is an innovative reading of Walter Scott's Waverley Novels in the context of 18th- and 19th-century Gothic. Most critics have treated these two forms of historical narrative as though they were completely unrelated, but this detailed study places Scott's work in the context of Gothic fictions from Walpole to Maturin. In so doing, the author highlights their shared techniques of narrative deferral, fantasies of origin and originality, and strategies of authenticity and authority. The book takes in the whole range of Waverley Novels, and includes analyses of such neglected works as The Fortunes of Nigel, Peveril of the Peak, and Woodstock, as well as the more frequently studied Rob Roy, The Heart of Midlothian, and Redgauntlet. Offering fresh insight into the variety and complexity of Scott's novels, and into the traditions of criticism that have so often obscured them, this book contributes to the study of Romanticism, the novel, and to current theoretical debates concerning historical fiction and historiographic authority.
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This book is an innovative reading of Walter Scott's Waverley Novels in the context of 18th- and 19th-century Gothic. Most critics have treated these two forms of historical narrative as though they were completely unrelated, but this detailed study places Scott's work in the context of Gothic fictions from Walpole to Maturin. In so doing, the author highlights their shared techniques of narrative deferral, fantasies of origin and originality, and strategies of authenticity and authority. The book takes in the whole range of Waverley Novels, and includes analyses of such neglected works as The Fortunes of Nigel, Peveril of the Peak, and Woodstock, as well as the more frequently studied Rob Roy, The Heart of Midlothian, and Redgauntlet. Offering fresh insight into the variety and complexity of Scott's novels, and into the traditions of criticism that have so often obscured them, this book contributes to the study of Romanticism, the novel, and to current theoretical debates concerning historical fiction and historiographic authority.
David P. Kinloch
- Published in print:
- 1992
- Published Online:
- October 2011
- ISBN:
- 9780198151838
- eISBN:
- 9780191672859
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198151838.001.0001
- Subject:
- Literature, 18th-century Literature, 19th-century and Victorian Literature
This book rescues Joseph Joubert from the ranks of minor French moralistes, and, by tracing the development of his thought from his time as secretary to Diderot through to the period of ...
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This book rescues Joseph Joubert from the ranks of minor French moralistes, and, by tracing the development of his thought from his time as secretary to Diderot through to the period of his association with Chateaubriand, demonstrates that he was a writer on aesthetics of considerable sensitivity. Examination of his manuscripts and of his annotation to books in his library shows that Joubert's primary concern, during the period that witnessed the gradual but profound change from the intellectual values of the Enlightenment to those of the Romantic period, was to establish the status and nature of art and poetry. Reading widely among philosophers and poets from Plato and Homer to Kant and André Chénier, Joubert consigned his thoughts and perceptions to a series of carnets that form the basis of this study and bear witness to an unusually eclectic and enquiring mind. Joubert's significance is not confined to the Enlightenment and Romantic periods. He is unique among writers of his day in the way that his own interrogation of the very act of writing anticipates the aesthetic of later, highly influential writers such as Mallarmé.
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This book rescues Joseph Joubert from the ranks of minor French moralistes, and, by tracing the development of his thought from his time as secretary to Diderot through to the period of his association with Chateaubriand, demonstrates that he was a writer on aesthetics of considerable sensitivity. Examination of his manuscripts and of his annotation to books in his library shows that Joubert's primary concern, during the period that witnessed the gradual but profound change from the intellectual values of the Enlightenment to those of the Romantic period, was to establish the status and nature of art and poetry. Reading widely among philosophers and poets from Plato and Homer to Kant and André Chénier, Joubert consigned his thoughts and perceptions to a series of carnets that form the basis of this study and bear witness to an unusually eclectic and enquiring mind. Joubert's significance is not confined to the Enlightenment and Romantic periods. He is unique among writers of his day in the way that his own interrogation of the very act of writing anticipates the aesthetic of later, highly influential writers such as Mallarmé.
Javed Majeed
- Published in print:
- 1992
- Published Online:
- October 2011
- ISBN:
- 9780198117865
- eISBN:
- 9780191671098
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198117865.001.0001
- Subject:
- Literature, 18th-century Literature, 19th-century and Victorian Literature
Drawing on contemporary critical work on colonialism and the cross-cultural encounter, this book is a study of the emergence of utilitarianism as a new political language in Britain in ...
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Drawing on contemporary critical work on colonialism and the cross-cultural encounter, this book is a study of the emergence of utilitarianism as a new political language in Britain in the late-18th and early-19th centuries. It focuses on the relationship between this language and the complexities of British Imperial experience in India at the time. Examining the work of James Mill and Sir William Jones, and also that of the poets Robert Southey and Thomas Moore, the book highlights the role played by aesthetic and linguistic attitudes in the formulation of British views on India, and reveals how closely these attitudes were linked to the definition of cultural identities. To this end, Mill's utilitarian study of India is shown to function both as an attack on the conservative orientalism of the period, and as part of a larger critique of British society itself. In so doing, the book demonstrates how complex British attitudes to India were in the late 18th and early 19th centuries and how this might be explained in the light of domestic and imperial contexts.
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Drawing on contemporary critical work on colonialism and the cross-cultural encounter, this book is a study of the emergence of utilitarianism as a new political language in Britain in the late-18th and early-19th centuries. It focuses on the relationship between this language and the complexities of British Imperial experience in India at the time. Examining the work of James Mill and Sir William Jones, and also that of the poets Robert Southey and Thomas Moore, the book highlights the role played by aesthetic and linguistic attitudes in the formulation of British views on India, and reveals how closely these attitudes were linked to the definition of cultural identities. To this end, Mill's utilitarian study of India is shown to function both as an attack on the conservative orientalism of the period, and as part of a larger critique of British society itself. In so doing, the book demonstrates how complex British attitudes to India were in the late 18th and early 19th centuries and how this might be explained in the light of domestic and imperial contexts.
Maureen Perkins
- Published in print:
- 1996
- Published Online:
- October 2011
- ISBN:
- 9780198121787
- eISBN:
- 9780191671302
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198121787.001.0001
- Subject:
- Literature, 19th-century and Victorian Literature, 18th-century Literature
Historians have long puzzled over the ‘death’ of astrology at the end of the seventeenth century. This book demonstrates that astrology was alive and well for much of the nineteenth ...
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Historians have long puzzled over the ‘death’ of astrology at the end of the seventeenth century. This book demonstrates that astrology was alive and well for much of the nineteenth century, finding expression in one of the best-selling items of popular literature, the almanac. It examines the contents of the most notorious almanacs, such as Moore's and Poor Robin, publications which provide a colourful entry into popular culture and which suggest that a belief in the possibility of seeing the future was widespread. The book goes on to discuss why all claims to predict the future, including those of astrology, became categorized as ‘superstition’. It argues that this development was linked to two major cultural changes: the rise of statistical discourse and the dominance of Newtonian time. Statistical forecasting achieved the status of a ‘science’ at the same time as ‘visions’ of the future were being marginalized. Examining the historical context of the substitution of one type of knowledge for another makes a contribution to current discussion about interaction between the different levels of culture.
Less
Historians have long puzzled over the ‘death’ of astrology at the end of the seventeenth century. This book demonstrates that astrology was alive and well for much of the nineteenth century, finding expression in one of the best-selling items of popular literature, the almanac. It examines the contents of the most notorious almanacs, such as Moore's and Poor Robin, publications which provide a colourful entry into popular culture and which suggest that a belief in the possibility of seeing the future was widespread. The book goes on to discuss why all claims to predict the future, including those of astrology, became categorized as ‘superstition’. It argues that this development was linked to two major cultural changes: the rise of statistical discourse and the dominance of Newtonian time. Statistical forecasting achieved the status of a ‘science’ at the same time as ‘visions’ of the future were being marginalized. Examining the historical context of the substitution of one type of knowledge for another makes a contribution to current discussion about interaction between the different levels of culture.
