Aaron W. Hughes
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780199934645
- eISBN:
- 9780199980666
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199934645.001.0001
- Subject:
- Religion, Religious Studies
Recent years have witnessed the emergence of a virtual cottage industry in all things “Abrahamic.” Directly proportionate to the rise of religious exclusivism, perhaps best epitomized by ...
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Recent years have witnessed the emergence of a virtual cottage industry in all things “Abrahamic.” Directly proportionate to the rise of religious exclusivism, perhaps best epitomized by the attacks of 9/11 and the current problems plaguing the Middle East and Afghanistan, there has been a real desire both to find and map a set of commonalities between Judaism, Christianity, and Islam. This is often done, however, not for the sake of scholarship, but interfaith dialogue. Recently, however, the term “Abrahamic religions” has been used with exceeding frequency in the academy. We now regularly encounter academic books, conferences, and even positions (including endowed chairs) devoted to the so-called “Abrahamic religions.”
Often lost in contemporary discussions of “Abrahamic religions” is a set of crucial questions: whence does the term “Abrahamic religions” derive? Who created it and for what purposes? What sort of intellectual work is it perceived to perform? In order to answer these and related questions, the book examines the creation and dissemination of this category. Part genealogical and part analytical, this study seeks to raise and answer questions about the appropriateness and usefulness of employing “Abrahamic religions” as a vehicle for understanding and classifying data. In so doing, this book can be taken as a case study that examines the construction of categories within the academic study of religion, showing how the categories we employ can become more an impediment than an expedient to understanding.
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Recent years have witnessed the emergence of a virtual cottage industry in all things “Abrahamic.” Directly proportionate to the rise of religious exclusivism, perhaps best epitomized by the attacks of 9/11 and the current problems plaguing the Middle East and Afghanistan, there has been a real desire both to find and map a set of commonalities between Judaism, Christianity, and Islam. This is often done, however, not for the sake of scholarship, but interfaith dialogue. Recently, however, the term “Abrahamic religions” has been used with exceeding frequency in the academy. We now regularly encounter academic books, conferences, and even positions (including endowed chairs) devoted to the so-called “Abrahamic religions.”
Often lost in contemporary discussions of “Abrahamic religions” is a set of crucial questions: whence does the term “Abrahamic religions” derive? Who created it and for what purposes? What sort of intellectual work is it perceived to perform? In order to answer these and related questions, the book examines the creation and dissemination of this category. Part genealogical and part analytical, this study seeks to raise and answer questions about the appropriateness and usefulness of employing “Abrahamic religions” as a vehicle for understanding and classifying data. In so doing, this book can be taken as a case study that examines the construction of categories within the academic study of religion, showing how the categories we employ can become more an impediment than an expedient to understanding.
Edith Hall
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780195392890
- eISBN:
- 9780199979257
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195392890.001.0001
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
This monograph is a cultural history of the performance, reception and influence of the ancient Greek tragedy Iphigenia in Tauris by Euripides. First produced in the late 5th century BCE ...
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This monograph is a cultural history of the performance, reception and influence of the ancient Greek tragedy Iphigenia in Tauris by Euripides. First produced in the late 5th century BCE in Athens, this play was one of the most influential of all the canonical classical dramas in antiquity until the fourth century CE and in the period between the Renaissance and the early 20th century. It dramatises the escape of the Greek siblings Iphigenia and Orestes, with Orestes' friend Pylades, from the barbarian community of the Taurians on the north coast of the Black Sea, bringing with them an ancient statue of Artemis. The book explores the extent and diversity of the play's cultural impact diachronically. Its first half documents and analyses the reasons for the popularity of the play in antiquity, appearing in Greek and Roman poetry, fiction, philosophy, vase-painting, murals, sarcophagus art, and on coins. The second half discusses the influence of the play since the Renaissance, with particular attention to Gluck's Iphigénie en Tauride, Goethe's Iphigenie auf Tauris, Frazer's The Golden Bough, Gilbert Murray's Edwardian translation and more recent feminist and postcolonial adaptations.
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This monograph is a cultural history of the performance, reception and influence of the ancient Greek tragedy Iphigenia in Tauris by Euripides. First produced in the late 5th century BCE in Athens, this play was one of the most influential of all the canonical classical dramas in antiquity until the fourth century CE and in the period between the Renaissance and the early 20th century. It dramatises the escape of the Greek siblings Iphigenia and Orestes, with Orestes' friend Pylades, from the barbarian community of the Taurians on the north coast of the Black Sea, bringing with them an ancient statue of Artemis. The book explores the extent and diversity of the play's cultural impact diachronically. Its first half documents and analyses the reasons for the popularity of the play in antiquity, appearing in Greek and Roman poetry, fiction, philosophy, vase-painting, murals, sarcophagus art, and on coins. The second half discusses the influence of the play since the Renaissance, with particular attention to Gluck's Iphigénie en Tauride, Goethe's Iphigenie auf Tauris, Frazer's The Golden Bough, Gilbert Murray's Edwardian translation and more recent feminist and postcolonial adaptations.
Liliane Haegeman
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780199858774
- eISBN:
- 9780199979912
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199858774.001.0001
- Subject:
- Linguistics, Syntax and Morphology
This book uses the cartographic theory to examine the left periphery of the English clause and compare it to the left-peripheral structures of other languages. The book argues that the ...
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This book uses the cartographic theory to examine the left periphery of the English clause and compare it to the left-peripheral structures of other languages. The book argues that the dissimilar surface characteristics of these languages (primarily English and Romance, but also Gungbe, Hungarian, Hebrew, Dutch, and others) can be explained by universal constraints, and that the same structures apply across the languages. The book focuses on main clause transformations—movement operations that can only take place in main clauses.
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This book uses the cartographic theory to examine the left periphery of the English clause and compare it to the left-peripheral structures of other languages. The book argues that the dissimilar surface characteristics of these languages (primarily English and Romance, but also Gungbe, Hungarian, Hebrew, Dutch, and others) can be explained by universal constraints, and that the same structures apply across the languages. The book focuses on main clause transformations—movement operations that can only take place in main clauses.
Paul Kockelman
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780199926985
- eISBN:
- 9780199980512
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199926985.001.0001
- Subject:
- Linguistics, Psycholinguistics / Neurolinguistics / Cognitive Linguistics
This book offers both a naturalistic and critical theory of signs, minds, and meaning-in-the-world. It provides a reconstructive rather than deconstructive theory of the individual, one ...
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This book offers both a naturalistic and critical theory of signs, minds, and meaning-in-the-world. It provides a reconstructive rather than deconstructive theory of the individual, one which both analytically separates and theoretically synthesizes a range of faculties that are often confused and conflated: agency (understood as a causal capacity), subjectivity (understood as a representational capacity), selfhood (understood as a reflexive capacity), and personhood (understood as a sociopolitical capacity attendant on being an agent, subject, or self). It argues that these facilities are best understood from a semiotic stance that supersedes the usual intentional stance. And, in so doing, it offers a pragmatism-grounded approach to meaning and mediation that is general enough to account for processes that are as embodied and embedded as they are articulated and enminded. In particular, while this theory is thereby focused on human-specific modes of meaning, it also offers a general theory of meaning, such that the agents, subjects and selves in question need not always, or even usually, map onto persons. And while this theory foregrounds agents, persons, subjects and selves, it does this by theorizing processes that often remain in the background of such otherwise erroneously individuated figures: ontologies (akin to culture, but generalized across agentive collectivities), interaction (not only between people, but also between people and things, and anything outside or in-between), and infrastructure (akin to context, but generalized to include mediation at any degree of remove).
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This book offers both a naturalistic and critical theory of signs, minds, and meaning-in-the-world. It provides a reconstructive rather than deconstructive theory of the individual, one which both analytically separates and theoretically synthesizes a range of faculties that are often confused and conflated: agency (understood as a causal capacity), subjectivity (understood as a representational capacity), selfhood (understood as a reflexive capacity), and personhood (understood as a sociopolitical capacity attendant on being an agent, subject, or self). It argues that these facilities are best understood from a semiotic stance that supersedes the usual intentional stance. And, in so doing, it offers a pragmatism-grounded approach to meaning and mediation that is general enough to account for processes that are as embodied and embedded as they are articulated and enminded. In particular, while this theory is thereby focused on human-specific modes of meaning, it also offers a general theory of meaning, such that the agents, subjects and selves in question need not always, or even usually, map onto persons. And while this theory foregrounds agents, persons, subjects and selves, it does this by theorizing processes that often remain in the background of such otherwise erroneously individuated figures: ontologies (akin to culture, but generalized across agentive collectivities), interaction (not only between people, but also between people and things, and anything outside or in-between), and infrastructure (akin to context, but generalized to include mediation at any degree of remove).
Henrik Bogdan, Martin P. Starr (eds)
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780199863075
- eISBN:
- 9780199979974
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199863075.001.0001
- Subject:
- Religion, Philosophy of Religion
This book offers an examination of one of the twentieth century's most distinctive occult iconoclasts. Aleister Crowley (1875–1947) was a study in contradictions. He was born into a ...
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This book offers an examination of one of the twentieth century's most distinctive occult iconoclasts. Aleister Crowley (1875–1947) was a study in contradictions. He was born into a Fundamentalist Christian family, and then he was educated at Cambridge where he experienced both an intellectual liberation from his religious upbringing and a psychic awakening that led him into the study of magic. He was a stock figure in the tabloid press of his day, vilified during his life as a traitor, drug addict and debaucher; yet he became known as perhaps the most influential thinker in contemporary esotericism. The practice of the occult arts was understood in the light of contemporary developments in psychology, and its advocates, such as William Butler Yeats, were among the intellectual avant-garde of the modernist project. Crowley took a more drastic step and declared himself the revelator of a new age of individualism. Crowley's occult bricolage, Magick, was a thoroughly eclectic combination of spiritual exercises drawing from Western European ceremonial magical traditions as practiced in the nineteenth-century Hermetic Order of the Golden Dawn. Crowley also pioneered in his inclusion of Indic sources for the parallel disciplines of meditation and yoga. The summa of this journey of self-liberation was harnessing the power of sexuality as a magical discipline, an instance of the “sacrilization of the self” as practiced in his co-masonic magical group, the Ordo Templi Orientis. The religion Crowley created, Thelema, legitimated his role as a charismatic revelator and herald of a new age of freedom under the law of “Do what thou wilt.” The influence of Aleister Crowley is not only to be found in contemporary esotericismȔhe was, for instance, a major influence on Gerald Gardner and the modern witchcraft movement—but can also be seen in the counter-culture movement of the late 1960s and early 1970s, and in many forms of alternative spirituality and popular culture. This book provides insight into Crowley's critical role in the study of western esotericism, new religious movements, and sexuality.
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This book offers an examination of one of the twentieth century's most distinctive occult iconoclasts. Aleister Crowley (1875–1947) was a study in contradictions. He was born into a Fundamentalist Christian family, and then he was educated at Cambridge where he experienced both an intellectual liberation from his religious upbringing and a psychic awakening that led him into the study of magic. He was a stock figure in the tabloid press of his day, vilified during his life as a traitor, drug addict and debaucher; yet he became known as perhaps the most influential thinker in contemporary esotericism. The practice of the occult arts was understood in the light of contemporary developments in psychology, and its advocates, such as William Butler Yeats, were among the intellectual avant-garde of the modernist project. Crowley took a more drastic step and declared himself the revelator of a new age of individualism. Crowley's occult bricolage, Magick, was a thoroughly eclectic combination of spiritual exercises drawing from Western European ceremonial magical traditions as practiced in the nineteenth-century Hermetic Order of the Golden Dawn. Crowley also pioneered in his inclusion of Indic sources for the parallel disciplines of meditation and yoga. The summa of this journey of self-liberation was harnessing the power of sexuality as a magical discipline, an instance of the “sacrilization of the self” as practiced in his co-masonic magical group, the Ordo Templi Orientis. The religion Crowley created, Thelema, legitimated his role as a charismatic revelator and herald of a new age of freedom under the law of “Do what thou wilt.” The influence of Aleister Crowley is not only to be found in contemporary esotericismȔhe was, for instance, a major influence on Gerald Gardner and the modern witchcraft movement—but can also be seen in the counter-culture movement of the late 1960s and early 1970s, and in many forms of alternative spirituality and popular culture. This book provides insight into Crowley's critical role in the study of western esotericism, new religious movements, and sexuality.
Carl Olson
- Published in print:
- 2013
- Published Online:
- January 2013
- ISBN:
- 9780199959839
- eISBN:
- 9780199315970
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199959839.001.0001
- Subject:
- Religion, Philosophy of Religion
This book offers a compelling and provocative argument against the application of postmodern thought to religious studies, showing how such radically skeptical thinking undermines, ...
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This book offers a compelling and provocative argument against the application of postmodern thought to religious studies, showing how such radically skeptical thinking undermines, subverts, and distorts the study of religion. It shows that religious studies is an ongoing experiment with various types of methodological approaches to the study of religion, which is itself a human construct with limited cross-cultural application. Without a commonly agreed-upon method for the study of its subject, religious studies is characterized by the use of multiple methods, which tend to be adopted based on the latest trends in the field. Most recently, these trends have been dominated by postmodern thought. Because the discipline of religious studies is a product of the European Enlightenment with its values and representational mode of thinking, it is challenged and even threatened by postmodern thought, which calls into question many of its values, basic presuppositions, and convictions. The author examines various postmodern positions related to the study of religion, including those of Georges Bataille, Jacques Derrida, Marcel Mauss, Michel Foucault and Edward W. Said. He contrasts the thought of traditional history of religions scholars Mircea Eliade and Wendy Doniger with selected postmodern thinkers on the topics of hermeneutics, comparison, and difference. The book concludes by exploring the postmodern challenges to such accepted concepts of religion and considers the long-term implications of a scholar's adoption of postmodern methods. Regardless of whether they are transformed by postmodern thought, it suggests all methods and concepts should be subject to pragmatic review.
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This book offers a compelling and provocative argument against the application of postmodern thought to religious studies, showing how such radically skeptical thinking undermines, subverts, and distorts the study of religion. It shows that religious studies is an ongoing experiment with various types of methodological approaches to the study of religion, which is itself a human construct with limited cross-cultural application. Without a commonly agreed-upon method for the study of its subject, religious studies is characterized by the use of multiple methods, which tend to be adopted based on the latest trends in the field. Most recently, these trends have been dominated by postmodern thought. Because the discipline of religious studies is a product of the European Enlightenment with its values and representational mode of thinking, it is challenged and even threatened by postmodern thought, which calls into question many of its values, basic presuppositions, and convictions. The author examines various postmodern positions related to the study of religion, including those of Georges Bataille, Jacques Derrida, Marcel Mauss, Michel Foucault and Edward W. Said. He contrasts the thought of traditional history of religions scholars Mircea Eliade and Wendy Doniger with selected postmodern thinkers on the topics of hermeneutics, comparison, and difference. The book concludes by exploring the postmodern challenges to such accepted concepts of religion and considers the long-term implications of a scholar's adoption of postmodern methods. Regardless of whether they are transformed by postmodern thought, it suggests all methods and concepts should be subject to pragmatic review.
Howard G. Lavine, Christopher D. Johnston, Marco R. Steenbergen
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780199772759
- eISBN:
- 9780199979622
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199772759.001.0001
- Subject:
- Sociology, Social Psychology and Interaction
Over the past half-century, two overarching topics have dominated the study of mass political behaviour: How do ordinary citizens form their political judgments, and how good are they ...
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Over the past half-century, two overarching topics have dominated the study of mass political behaviour: How do ordinary citizens form their political judgments, and how good are they from a normative perspective? This book provides a novel goal-based approach to these questions, one that compels a wholesale rethinking of the roots of responsible democratic citizenship. The central claim of the book is that partisan identity comes in qualitatively different forms, with distinct political consequences. Blind partisan loyalty, as the pejorative label implies, facilitates bias and reduces attention to valuable information. Critical loyalty, by doing the opposite, outperforms standard measures of political engagement in leading to normatively desirable judgments. Drawing on both experimental and survey methods—as well as five decades of American political history—this book examines the nature and quality of mass political judgment across a wide range of political contexts, from perceptions of the economy, to the formation, updating, and organization of public policy preferences, to electoral judgment and partisan change. Contrary to much previous scholarship, the empirical findings reveal that rational judgment—holding preferences that align with one's material interests, values, and relevant facts—does not hinge on cognitive ability. Rather, breaking out of the apathy-versus-bias prison requires critical involvement, and critical involvement requires critical partisan loyalty.
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Over the past half-century, two overarching topics have dominated the study of mass political behaviour: How do ordinary citizens form their political judgments, and how good are they from a normative perspective? This book provides a novel goal-based approach to these questions, one that compels a wholesale rethinking of the roots of responsible democratic citizenship. The central claim of the book is that partisan identity comes in qualitatively different forms, with distinct political consequences. Blind partisan loyalty, as the pejorative label implies, facilitates bias and reduces attention to valuable information. Critical loyalty, by doing the opposite, outperforms standard measures of political engagement in leading to normatively desirable judgments. Drawing on both experimental and survey methods—as well as five decades of American political history—this book examines the nature and quality of mass political judgment across a wide range of political contexts, from perceptions of the economy, to the formation, updating, and organization of public policy preferences, to electoral judgment and partisan change. Contrary to much previous scholarship, the empirical findings reveal that rational judgment—holding preferences that align with one's material interests, values, and relevant facts—does not hinge on cognitive ability. Rather, breaking out of the apathy-versus-bias prison requires critical involvement, and critical involvement requires critical partisan loyalty.
Dominic Keech
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780199662234
- eISBN:
- 9780191746314
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199662234.001.0001
- Subject:
- Religion, Early Christian Studies, Theology
Falling outside of the usual categories of Patristic Christological discourse, Augustine’s Christology remains a relatively neglected area of his thought. This study focuses on his ...
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Falling outside of the usual categories of Patristic Christological discourse, Augustine’s Christology remains a relatively neglected area of his thought. This study focuses on his understanding of the humanity of Christ as it emerged in dialogue with his anti-Pelagian conception of human freedom and Original Sin. By reinterpreting the Pelagian controversy as a Western continuation of the Origenist controversy before it, it argues that Augustine’s reading of Origen lay at the heart of his Christological response to Pelagianism. Augustine is, therefore, situated within the network of fourth- and fifth-century Western theologians concerned to defend Origen’s orthodoxy—and the orthodoxy of a broader Christian Platonism—against their opponents. Opening with a survey of scholarship in the areas of both Augustinian Christology and Augustine’s anti-Pelagianism, it proceeds by detailing Augustine’s engagement with the issues and personalities involved in both the Origenist and Pelagian controversies. Chapter 3 examines the importance of Augustine’s understanding of Christ ‘in the likeness of sinful flesh’ (Rom 8.3) within his anti-Pelagian works; Chapter 4 traces the dependence of this motif on Origen’s exegesis. The fifth chapter considers Augustine’s treatment of Christ’s soul in relation to his understanding of Apollinarianism. The study concludes by exploring Augustine’s handling of the origin of the soul, suggesting that the inconsistencies in his Christology can be explained by recourse to an Origenian framework, in which the soul of Christ remains sinless in the Incarnation because of its relationship to the eternal Word after the Fall of souls to embodiment
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Falling outside of the usual categories of Patristic Christological discourse, Augustine’s Christology remains a relatively neglected area of his thought. This study focuses on his understanding of the humanity of Christ as it emerged in dialogue with his anti-Pelagian conception of human freedom and Original Sin. By reinterpreting the Pelagian controversy as a Western continuation of the Origenist controversy before it, it argues that Augustine’s reading of Origen lay at the heart of his Christological response to Pelagianism. Augustine is, therefore, situated within the network of fourth- and fifth-century Western theologians concerned to defend Origen’s orthodoxy—and the orthodoxy of a broader Christian Platonism—against their opponents. Opening with a survey of scholarship in the areas of both Augustinian Christology and Augustine’s anti-Pelagianism, it proceeds by detailing Augustine’s engagement with the issues and personalities involved in both the Origenist and Pelagian controversies. Chapter 3 examines the importance of Augustine’s understanding of Christ ‘in the likeness of sinful flesh’ (Rom 8.3) within his anti-Pelagian works; Chapter 4 traces the dependence of this motif on Origen’s exegesis. The fifth chapter considers Augustine’s treatment of Christ’s soul in relation to his understanding of Apollinarianism. The study concludes by exploring Augustine’s handling of the origin of the soul, suggesting that the inconsistencies in his Christology can be explained by recourse to an Origenian framework, in which the soul of Christ remains sinless in the Incarnation because of its relationship to the eternal Word after the Fall of souls to embodiment
Adam Ockelford
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780199607631
- eISBN:
- 9780191747687
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199607631.001.0001
- Subject:
- Psychology, Music Psychology, Developmental Psychology
Although research in music psychology, education and therapy has expanded exponentially in the 21st century, there is something of a ‘black hole’ around which much of the discourse ...
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Although research in music psychology, education and therapy has expanded exponentially in the 21st century, there is something of a ‘black hole’ around which much of the discourse circles: music itself. While writers have largely been occupied with what people think about musical engagement, the little musical analysis that exists has tended to be at a low level compared to the sophisticated non-musical exploration that is present. This highlights the tenuous connection between musical enquiry in the context of the humanities and that occurring within the social sciences, the one exception being the partial intersection of music theory and psychology. Here, however, progress has largely been in one direction, with something of the objectivity that characterizes psychological research reading across to music analysis, and taking the form of what has been called ‘empirical musicology’. This book takes a further, reciprocal step, in which certain of the techniques of empirical musicology (in particular, the author’s ‘zygonic’ theory) are used to inform thinking in the domains of music-psychological, educational and therapeutic research. A new, interdisciplinary sphere of endeavour is sketched out, for which the term ‘applied musicology’ is coined. The book adopts a phenomenological, inductive approach, using the analysis of hundreds of real-life examples of musical engagement and interaction to build new theories of musical intentionality and influence, and to shed new light on our understanding of aspects of music perception and cognition. This book is intended to lay the foundations upon which a new category of interdisciplinary work will be built.
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Although research in music psychology, education and therapy has expanded exponentially in the 21st century, there is something of a ‘black hole’ around which much of the discourse circles: music itself. While writers have largely been occupied with what people think about musical engagement, the little musical analysis that exists has tended to be at a low level compared to the sophisticated non-musical exploration that is present. This highlights the tenuous connection between musical enquiry in the context of the humanities and that occurring within the social sciences, the one exception being the partial intersection of music theory and psychology. Here, however, progress has largely been in one direction, with something of the objectivity that characterizes psychological research reading across to music analysis, and taking the form of what has been called ‘empirical musicology’. This book takes a further, reciprocal step, in which certain of the techniques of empirical musicology (in particular, the author’s ‘zygonic’ theory) are used to inform thinking in the domains of music-psychological, educational and therapeutic research. A new, interdisciplinary sphere of endeavour is sketched out, for which the term ‘applied musicology’ is coined. The book adopts a phenomenological, inductive approach, using the analysis of hundreds of real-life examples of musical engagement and interaction to build new theories of musical intentionality and influence, and to shed new light on our understanding of aspects of music perception and cognition. This book is intended to lay the foundations upon which a new category of interdisciplinary work will be built.
Oliver Primavesi
Carlos Steel (ed.)
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780199639984
- eISBN:
- 9780191743337
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199639984.001.0001
- Subject:
- Philosophy, Ancient Philosophy, Metaphysics/Epistemology
he volumes of the “Symposium Aristotelicum” have become in the last fifty years the obligatory reference works for all studies on Aristotle. In this 18th volume a distinguished group of ...
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he volumes of the “Symposium Aristotelicum” have become in the last fifty years the obligatory reference works for all studies on Aristotle. In this 18th volume a distinguished group of scholars offers a chapter-by-chapter study of the first book of Aristotle's Metaphysics. Aristotle presents here his philosophical project as a search for wisdom, which is found in the knowledge of the first principles allowing us to explain whatever exists. As he shows, the earlier philosophers all had been seeking such a wisdom, though they had divergent views on what these first principles were. Before Aristotle sets out his own views, he offers a critical examination of his predecessors' views, ending up with a lengthy discussion of Plato's doctrine of the Forms. Book Alpha is not just a fundamental text for reconstructing the early history of Greek philosophy, it sets itself the agenda for Aristotle's own project of wisdom after what he had learned from his predecessors. Besides eleven chapters, each dealing with a different section of the text, the volume also offers a new edition of the Greek text of Metaphysics Alpha by Oliver Primavesi, based on an exhaustive examination of the complex manuscript and indirect tradition. The introduction to the edition offers new insights into the question which has haunted editors of the Metaphysics since Bekker, namely the relation between the two divergent traditions of the text.
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he volumes of the “Symposium Aristotelicum” have become in the last fifty years the obligatory reference works for all studies on Aristotle. In this 18th volume a distinguished group of scholars offers a chapter-by-chapter study of the first book of Aristotle's Metaphysics. Aristotle presents here his philosophical project as a search for wisdom, which is found in the knowledge of the first principles allowing us to explain whatever exists. As he shows, the earlier philosophers all had been seeking such a wisdom, though they had divergent views on what these first principles were. Before Aristotle sets out his own views, he offers a critical examination of his predecessors' views, ending up with a lengthy discussion of Plato's doctrine of the Forms. Book Alpha is not just a fundamental text for reconstructing the early history of Greek philosophy, it sets itself the agenda for Aristotle's own project of wisdom after what he had learned from his predecessors. Besides eleven chapters, each dealing with a different section of the text, the volume also offers a new edition of the Greek text of Metaphysics Alpha by Oliver Primavesi, based on an exhaustive examination of the complex manuscript and indirect tradition. The introduction to the edition offers new insights into the question which has haunted editors of the Metaphysics since Bekker, namely the relation between the two divergent traditions of the text.